Tag Archives: Marvel Cinematic Universe

Casting Ethnic Characters

In the last few weeks, there have been two points of conflict in the geek and geek-adjacent film communities over casting of characters in upcoming movies.

This November we get a movie I have been really wanting, Doctor Strange, my second favorite Marvel Superhero. (Iron Man has always been by tops.) In the source material Strange learns his arts from an old Asian fellow known as The Ancient One. In the film this part has been gender-flipped to a woman and is being played by Caucasian actress Tilda Swinton.  Some have been upset by an character that was clearly Asian suddenly becoming Caucasian.

Frankly this one has bothered me that much. The ‘character’ of the Ancient One was dreadfully close to stereotype and over the line as a cliche. Moving away from cliche is an improvement. I know that there are many who disagree with me and I understand their sincerely held position, but I am not convinced. A cliche is bad writing and I’m happy that we have hopes of avoiding such things in this film.

The second storm is centered on a live-action version of the well-known Japanese Anime Ghost in the Shell. I have never seen the original, but I am open to it, it’s just my exposure to Anime in general is rather limited. However what we have here is Japanese source material, with Japanese characters, now being made with the lead character, Kusanagi, being played again by a Caucasian, this time Scarlett Johansson. I have nothing against Scarlett, she is a talented actress and I have seen her deliver a number of very interesting performances but there is no reason to ignore the ethnicity of character in the casting.

Producers and Directors generally defend these casting decisions as being forced by the financing forces beyond their control. Stating that without a big star they can’t get big budgets to make these epic films. This is true – as far as it goes, but there is a lie of omission here.The banks and

The banks and investor group that fund these project DO want big stars attached to the projects. The signing of major stars signals serious resources and commitment to a project. Without that, it is very hard to raise the fund for a massive budget. I would say beyond hard and nearly impossible. But nowhere is it written that the big star have to have the lead role. That is the dirty secret they would prefer you not recognize.

Here is a famous case to prove this: Superman The Movie. When the producers signed a negative pick-up deal with Warner Brothers to make them film, that put them on the hook to raise the funds the make it, and this was not going to be a cheap movie. They needed stars who were ‘bankable’ and indicated a level of serious artistic commitment. Kids at this point that did not sign relative new-comer Christopher Reeve as their lead, they signed Marlon Brando and Gene Hackman. That, coupled with star writer Mario Puzo, brought in the funds to make the movie.

This argument – oh we can’t have a Japanese actress the lead because we won’t get funding – is a dodge, don’t fall for it. They made the call to cast it the way they did, their call not something forced and beyond their power to counter. (There’s also been an excellent argument made elsewhere that Asian actors haven’t been given the chance to build up to star power the way other have been. Look at the long line of credits Scarlett has before she exploded to a top line budget item. That matters too.)

So in short, Doctor Strange I am fine with, less cliches is better, Ghost in the Shell I call shenanigans.

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Movie Review: Ant-Man

The Marvel Cinematic Universe moves into Phase III with Ant-Man. (Phase I ended with The Avengers, Phase II with Avengers: The Age of Ultron and Phase III will culminate with Avengers: Infinity War Part 1.)

AntmanAnt-man is a film with a  troubled history. Numerous re-writes and replaced directors rarely yield a classic movie. While that trouble it evident in a somewhat schizophrenic storyline, this film is not a failure. The characters are likable, the action interesting and different, and the intersection with the Marvel Cinematic Universe consistent and  on point. There are nice call-backs to the earlier films with appearances from characters such as Agent Peggy Carter and Howard Stark. The digital process pioneered in Tron: Legacy that allows older actors to portray younger versions of themselves has matured  allowing Michael Douglas to play troubled genius Dr. Hank Pym across a span of ages. The film also pays tribute to the twisted history of the Ant-Man character, paying respect to both the Hank Pym Ant-Man and the new Ant-Man Scott Lang.

In the movie Dr. Hank Pym, decades after being forced out of his own company and from the international security organization S.H.I.E.L.D. is forced into action, replaying upon his daughter and an idealistic ex-con, Scott Lang, to prevent devastating technology from fallen into evil, insane hands. Scott Lang, played in a fairly likable comedic tone by talented actor Paul Rudd, struggles to find himself and a way back into his family’s good graces while dealing with becoming the newest hero in the expanding MCU.  In the end, it is friendship and ingenuity that save the day.

The film is serviceable and I enjoyed the two hours watching it, however, more than once it falls into formula. There is a cliche, well worn in genre films, where an experience or warning that occurs early in the film establishes the method for the hero’s final victory. This was subverted nicely in 2008’s Iron Man when the ‘icing problem’ Tony encounters during his first flight as Iron Man is only part of the climax’s resolution and not the totality of it, In Ant-Man the telegraphed information, plays straight into the hero’s victory in an unoriginal manner typical of the cliche. that said this is a problem that is likely only to be visible to those already deconstructing plots and stories.  Over all I think most people who enjoy the popcorn fun of summertime superheroes will enjoy Ant-Man.

 

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