Tag Archives: Horror

Sunday night Movie:Dawn of the Dead(1979)

THIEVES AND BAD GUYS: Thoughts on George A. Romero’s Dawn of the Dead’

Speak of zombies and for most people the scenario conjured to mind is one with a world in ruins, scattered band of survivors battling mindless hordes of the undead intent on consuming all flesh. The filmmaker most responsible for that apocalyptic vision is George A Romero and his movie ‘Dawn of The Dead.’ Other filmmakers, Jorge Grau with ‘Let Sleeping Corpses’ Lie (aka ‘The Living Dead at Manchester Morgue’) and Lucio Fulci with Zombi 2 (originally titled Zombi, but renamed with the release of Dawn of the Dead in it Italy as Zombi.) hinted at a coming disaster as part of the finale of their zombie movies, but it was Romero and ‘Dawn of the Dead’ that first gave us a world lost to a tide of the dead. While the zombie genre encompasses everything from the horrifying to the silly, it is this movie, released unrated in the Unites States because of explicit violence, that is the towering work of art with much more to say that, shoot them in the head. Be warned, hereafter there be spoilers. Continue reading

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A Geeky Annoyance

Here let me get something of my chest; I HATE the term xenomorph as the proper name for the creature featured in the Alien franchise.

Now I fully sympathize with people in that using the word ‘alien’ as a proper name is clumsy to the point of stupidity. Science-fictions, and SF movies are overrun with aliens of ever strip and creed from the Mu-Tants of This Island Earth to Mr. Spock of Star Trek and countless others, so trying call one particular breed of alien, The Alien, make for grammatical suicide. Continue reading

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Sunday Night Movie: Alien vs Predator: Requiem

Due to the holiday the Sunday Night Movie took place on Monday Night.

I picked up were upgrades to DVD already in my library, but on a whim I picked up Alive vs. Predator; Requiem .

Some months ago a friend of mine and I had stated watching the movie on blu-ray via Netflix, but the disc didn’t work properly and so we only ever saw half of the movie. Last night I watched the entire, unrated, version of the film.

Meh.

It wasn’t horribly stupid or offensive but as a co-worker and friend described it, “that movie’s a teen slasher movie, but with an alien instead of a slasher,’ and I’d say her analysis is fairly on target, Continue reading

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Sunday Night Movie: Cloverfield

I have always been a fan of the giant Monster movies. I can remember being bitterly disappointed when Godzilla vs The Smog Monster came out and I did not see the film in the theater. Given that background it is a little strange that I missed Cloverfield during its theatrical run. The truth of the matter is that life gets pretty busy these days and the film slipped past me. (It’s amazing just hwo fast a film disappears from the theaters now. I can remember E.T. and Raiders Of The Lost Ark both playing for more than a year at theaters in Sand Diego.) So Cloverfield is a film I have only seen on home video. However I think home video is the right medium for this movie.

Cloverfield is a ‘found footage’ film. The best know example of this style of film making is The Blair Witch Project, a film that is supposedly cut from the film shot by documentary filmmakers who had vanished in the woods and years later the footage is found. The most recent example of this is Apollo 18 which is supposedly made from stolen classified footage. (However it clearly impossible by the events of the film that this footage ever reached Earth and there the whole conceit is thrown into abject stupidity. Apollo 18 is a film to be avoided even on home video.) I have rarely fully enjoyed a found footage film because too often the ending does not work. It is very difficult to craft a satisfying one. Cloverfield is the exception to the rule.

I watched this back in 2009 on blu-ray via Netflix and  throughly enjoyed the experience. The hand-held shaky camera worked very well on the small screen and may have been too much for me personally on the big screen.

The setting is simple. New York, May 2008, a Godzilla-class monster shows up and starts tearing death and destruction through the metropolis. Instead of an objective viewpoint, we see the entire night’s events from one hand-held camera that start the film documenting a going away party. Cloverfield isn’t really about the monster, but rather it is about love and loss and what are you willing to do for love.

The film did stir some controversy when it was released because the imagery of the destruction as such a vast scale to New York evoked for many the memories of September 11, 2001. That is understandable, but I would never call for film makers to censor themselves because of that. We remain free in our actions, our thoughts, and our arts — anything else is real capitulation.

The film is short, just 85 minutes, and moves very quickly. (Of those 85 minutes, 11 are credits as this is a very impressive piece of special-effects works, meaning 13% of the movie is credits, perhaps the high ratio of a major feature film.) Cloverfield is also a film where no one is ‘safe’ by benefits of being a major character. While not everyone dies, the loss rate if very high.

I now own a copy on blu-ray and would easily recommend this movie.

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