Well, This Took an Interesting Turn

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I will return to Spooky Season posting soon, thought this is at least related.

My currently novel in progress, an attempt at an American folk horror with elements of cosmic horror has been quite a journey so far.

First, it’s being written sans outline. My original plan had been to outline each act, out of five acts, just before I started writing those parts. And I did sort of draft one for the first act, but when I reached act 2 rather than lose momentum I barreled on. Now, I am reaching the end of the 3rd act and have abandoned the pretense of outlining.

I do believe that years and years of outlining has sort of drilled into me an intuitive sense of plotting and structure that allows me to flow freely and yet maintain the form I am most comfortable with.

Second, this is the only novel sized project I have started where I did not have a clear ending in mind.

I am one of those who believe that endings are vitally important. So many great stories and films have been lost to a crappy or poorly executed ending. It is the place where theme, character, and plot all come together.

With this book I had a sense of the tone I wanted to end on but not the mechanics or the specifics that would build my ending.

Until last night.

As I lay in bed, groggy and about to slip off into sleep the ending came to me. Particulars with the characters and a visual of what the final scene would look like. It resonated perfectly with what I had wanted and what has been so far and what was yet to come.

Best of all — I remember it this morning.

I still have high hopes of a first draft finished before Dec 31st but unlike most of my other works there will be serious retooling in at least one follow-up draft.

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Spooky Season: Planet of the Vampires

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Released in 1965 and first seen by me sometime in the early 70’s on the late-night horror movie show Creature Feature the Italian SF/horror movie Planet of the Vampires has zero vampires but a clear influence on the film Alien. (Though it must be said that Ridley Scott reports that he has never seen this movie.)

The twin starships Argos and Valiant arrive at an unknown planet investigating mysterious signals. While attempting to land, they lose control of their craft and lose consciousness. Upon awakening the crew launch into murderous attacks on each other, save for the manly heroic captain, who manages to snap everyone out of their violent delirium. Now with their ship damaged and repairs expected to be long and difficult the crews must unravel the mystery at the heart of the planet if they are to survive.

Direct with style and flair by Mario Bava Planet of the Vampires though hampered by a quite small budget is a visual treat. Bava’s use of color is fantastic, and he was a filmmaker who understood the camera and how to wrest every bit of production value from every last lira.

Little can be said for the performances in this movie. The international cast each performed their lines in their own native language regardless if any other in the cast understood with the final product dubbed for whatever market it sold to. This gives you the double handicap of actor not being able to effectively play off each other and the usual limitation of the budget voice actors often used in genre imports.

Still, despite its many failings the movie works, the eerie set for the planet’s landscape, the giant skeletons of long dead space travelers, and the twilight zone ending all combine for a cheap but entertaining bit of cinema.

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Spooky Season: Twin Peaks

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A few months ago, the host of the podcast The Evolution of Horror launched a new one The Detective and the Log Lady where he, a Twin Peaks super fan and a woman who had never seen the series watch and discuss each episode of the strange and influential program. My sweetie-wife and I have been rewatching the series as I listen to the podcast.

ABC Television

There’s no doubt that Twin Peaks has serious horror vibes with the nighttime soap format. Amid the financial crimes, drug dealing highschoolers, and the unfaithful marriage there is also a story of extradimensional beings & possession reveling in cruelty for its own sake. A story of deep dark woods and the terrors hidden in the impenetrable shadows. A secret known only to the owls who are not what they seem. A story of barriers between worlds stretched thin and permeable.

In short Twin Peaks is horror, at least some of the time. Perhaps the more mundane stories of unwanted pregnancies, small town scheming for local petty businesses and the trials and tribulation of teenage love enhance the horror by contrasting it with such prosaic troubles. Amid the strange and quirky nature of the town and its residents is an existential horror that rivals that of Lovecraft elder gods and the vast uncaring universe is the greatest horror of all.

 

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Spooky Season Review: Azrael

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This weekend I treated myself to a pair of horror films, one that was older, and I had seen before, Planet of the Vampires, and a new one in theaters, Azrael.

IFC Films

Azrael, filmed in Estonia, is a Christian themed horror film set an unspecified number of years after the ‘Rapture’ has removed the faithful from the Earth. The character Azrael (Samara Weaving) and her boyfriend have fled their isolated religious community trying to avoid becoming the zealots next human sacrifice to the violent monsters stalking the forest.

The community at some time in the past reached the strange conclusion that speaking was a sin and have made all their member’s mute. Azrael’s struggles to escape, survive, and extract revenge are all carried out without a word of dialog from the principal characters. A secondary character not from the community does appear in the second act but he speaks no English, leaving the film with zero English dialog.

Azrael presented several scenes of graphic violence and gore. The forest monsters, looking like charred and burnt corpses, act much like modern zombies with modern graphic make-up effects. The film has zero nudity, sexuality, or sexual violence, presenting the situation as a fairly straightforward struggles to survive. Most of the action, violence, and injury are presented in a believable fashion that doesn’t shatter suspension of disbelief. The films Christian mythological underpinnings play a vital part in the films resolution and mark the film in the same category along with movies such as Rosemary’s Baby & The Omen, but without the deep theological questioning of a film such as The Exorcist.

Written by Simon Barret and directed by E.L. Katz, this film is a challenging and bold experimentation. Denied dialog for exposition it’s a project that requires audience engagement as the viewer is constantly interpreting the events on screen. It is not a move that can be enjoyed with only half of one’s attention. Composer Toti Gudnason ably carries a great of the film with the score while cinematographer Mart Taniel captures the eerie nature of the Estonia wood as he did with 2017’s November.

I am left with questions about the world building and how this world works. IMDB lists all the character with their name, but in a community without spoken or even signed language how do names even work? That said, letting go of such questions is easy enough in the moment as the story unfolds.

Azrael is currently playing in limited release and should be making its streaming debut on Shudder soon. It is not a film for those who insist on frequent kills and witty banter, but it is one I am quite glad I watched in a theatrical setting.

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Retro Review: The Lieutenant “To Set it Right”

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Before Gene Roddenberry transformed his life and our world with the series Star Trek he produced and ran a series about a green Marine second lieutenant commanding a platoon at Camp Pendleton California called The Lieutenant.

Staring Gary Lockwood, who Gene would employ to play Mitchell in Trek’s second pilot, 2nd Lieutenant William Tiberius Rice is an educated and idealistic young officer learning the rope of command from his superior Captain Rambridge, (Robert Vaughn.)

NBC Publicity Photo

I watched episode 21 of the show’s only season, to Set it Right, dealing with racial conflicts with the platoon. When a new private, Cameron (Don Marshall) arrives at the base he instantly attacks Corporal Devlin (Dennis Hopper) recognizing Devlin as part of a gang that beat him in a racially motivated attack years earlier. Rice requests permission from Rambridge to keep both men in his platoon as Rice wants to learn how to solve this sort of issue.

While keeping an eye on language that would be acceptable to Standards and Practices the episode, written by Lee Erwin, is fairly honest and direct in its approach to racism. Both characters are presented as flawed and twisted by racism, Devlin for it practice and Cameron by the anger flamed through years of injustice. Cameron’s anger rarely lets him have a moment’s peace even poisoning his relationship with his fiancé Norma (Nichelle Nichols.)

To Set it Right ends on a hopeful and optimistic note that, following the intensity of the preceding pages, struck me a forced and unrealistic. The characters of Devlin and Cameron had transformed too much for such a brief time.

The episode also guest starred the classic western actor Woody Strode as a sergeant of the platoon who attempts to calm Cameron’s hostile nature.

This episode has several ties to Roddenberry’s next series Star Trek. In addition to Lockwood and Nichols, Don Marshal would return for an episode as Boma in The Galileo Seven and the episode’s director Vincent McEveety would helm six episodes of Trek including Balance of Terror.

Episodes of The Lieutenant can be found on YouTube.

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Vance’s Idiotic ‘Solution’ to School Shootings

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On the subject of School shootings Senator Vance advocating for ‘hardening’ of the targets as the preferred solution saying, ‘But I unfortunately think that we have to increase security in our schools. We have to make the doors lock better. We have to make the doors stronger. We’ve got to make the windows stronger.’

This is sheer pedantic word play. For one thing the Senator is far too bright to not know that the money simply doesn’t exist to harden every forking school and pre-school in America.

Set that aside, though. Say we could wave a magic wand and instantly fortify every school like a well defended hardpoint on the battle line. Does that actually solve the problem? Does the would be shooter, now denied the school as a target, just lay down his arms and assume the post of a responsible peaceful citizen?

Of course not.

The shooter driven by rage that has been fueled by agony moves to a softer target. Perhaps a park, or a supermarket, or a shopping center, or a sport game. Or even just a forking busy street out in the open. The school isn’t shot up but someplace else is. Then what? Harden that next target, and then the next and the next until all of America is locked-down self-imposed prison calling itself the land of the free?

The truth of the matter is that Vance proposed no solution, and he knew he proposed nothing. He wanted to cast the illusion of someone that cared while maintaining for his base that solid commitment that no amount of a slaughtered children or people would ever justify even the slightest impediment to their hobby.

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Spooky Season Starts

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For as long as I can remember horror movies have played a part in my life. Growing up in the mountains of Western North Carolina, (the devastation visited there by hurricane Helene is heartbreaking) as a child the drive-in was my first exposure to movies. My older brothers would promise my parents that they would be seeing something appropriate for their little brother and invariably break that oath and select a horror film. I have fragmentary memories of Hammer Horror and region drive-in movies that in all likelihood are far less well executed than I remember them.

I also clearly remember during the summers that bats lived nearby and often fluttered just beyond my window, casting shadows into my second story bedroom. A macabre scene that is impressed on my memory.

It is no surprise that horror cinema has always been fascinating and inviting to me. Ghost stories are by far my favorite sub-genre of horror with the slashers born in the wake of 1978’s Halloween my least loved.

I have written and published a few short stories in the genre and currently await the decision from a publisher on my first horror novel. It is no surprise that the ‘spooky season’ is something I enjoy.

This October, in addition to getting more work done on my folk-horror novel, I plan to watch more horror than usual, revisiting some I enjoy and exploring a few new ones.

It should be fun.

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Film Geeks San Diego’s Secret Morgue V

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This past Saturday was the 5th annual Secret Morgue hosted by the local cinephile group Film Geeks San Diego. The six-movie marathon doesn’t release the titles on the film being presented only the theme. For 2024 the theme was creatures & monster movies.

American International Pictures

Movie One: Attack of the Crab Monsters (1957). A celebration and recognition of low-budget master Roger Corman this movie follows a group of scientists, technicians, and sailors left on an atoll following atomic testing. They are there to study the effects of fallout and radiation but instead encounter monstrous telepathic giant crabs.

This is typical low-budget 50s fare with poor science and less then adequate special effects but entertaining in its own right.

Pathe

Movie Two: Dog Soldiers (2002). A squad of soldiers dropped in the wilds of Scotland for a routine training exercise discover another squad of special forces slaughtered, save for one member, by some unknown force. Trapped and out of communication they struggle to survive a pack of werewolves.

This is a fun, fast, and exciting werewolves vs soldiers of a movie and well worth the time.

 

American International Pictures

Movie Three: Scream Blacula Scream (1973). The sequel to Blacula, William Marshal returns as the title character, an African Prince cursed by Dracula with Vampirism. Raise by Voodoo magics as part of a power struggle among the faithful Balcula is unleashed again on the modern world and hopes to find release from unending torment by way of a voodoo priestess, Pam Grier.

Part of the brief but entertaining subgenre of ‘Blaxploitation’ that run during the 70s, this movie is fast, entertaining, and led by amazing actors. Allowanced must be given to the filmmakers lack of money and special effect resources. If you can look past that this is a treasure.

 

Daiei Film

Movie Four: Gamera, Guardian of the Universe (1995). The relaunching of the Kaijufranchise that challenged Godzilla, and still principally using men in suits, Gamera, Guardian of the Universe, is a fun romp and modern take on the classic Kaiju genre. Not scripted or produced with an ironic eye to the camera of tongue in cheek this movie is a straightforward film about giant monsters that threaten and defend humanity.

 

 

 

 

Hollwood Pictures

Movie Five: Deep Rising (1998). When pirates attack a large cruise ship in the South China Sea, they discover the passengers and crew slaughtered and the ship infested with tentacled monsters. Written and directed by Stephen Summers a year before his take on The Mummy, this movie has his typical style of mixing adventure, horror, and comedic effect.

 

 

 

 

The sixth and final film of the marathon was the home-made movie Suburban Sasquatch. I have a minimum level of quality that I require before I devote 80 minutes or more of my time to a film and this did not meet that prerequisite.

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Streaming Review: Murder by Death

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A year before Star Wars tossed the film industry into a whole new galaxy of chasing action/adventure box office bonanzas Columbia release Murder by Death a parody of the sedate country-manor murder mysteries that by then had already fallen out of style.

Columbia Pictures

Written by celebrated playwright Neild Simon the film is a broad comedy lampooning many of the genre’s most recognized sleuths: James Coco’s Milo Perrier satirizing Poirot, Peter Falk as Sam Diamond a play on Sam Spade, Peter Sellers in atrocious ‘yellow face’ as Wang, a take on Charlie Chan. (I honestly can’t tell if Sellers’ ‘yellow face’ is a comment on the practice used in the Chan films or simple racist.) Elsa Lanchester as Jessica Marbles standing in for Miss Marple and David Niven and Maggie Smith for Nick & Nora Charles from The Thin Man series.

Rounding out the cast was Alec Guinness as the blind butler, Nancy Walker as the deaf mute and illiterate cook, and Truman Capote as Lionel Twain hosting the detective while taunting them with meta commentary on the source novels.

Neil Simon was one of America’s premier playwrights, penning classic that are still watched and loved today.

This was not one of them.

The ‘comedy’ is weak, forced, and scarcely induces even a forced smile. There are moments that have some worth, but they are few. I had watched this movie some 40 years earlier and the only comedic moment that stuck with me was Twain berating Wang for his racist broken English.

“Pronouns! Say your god damned pronouns!”

The physical comedy has no speed or action to it, the character-based humor is tepid, and the plot makes less sense in 1985’s Clue.

All in all, even on YouTube for free, this is one to miss.

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A Writing Blindspot

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As a writer one of the things I strive to do is get emotionally in the head and heart space of the characters in my stories. Of course I am far from perfect in this. I maintain one of the hardest things for any human to do is truly see something from another point of view. It is difficult to ignore the years of joy and pain and experiences that formed your nature and try to imagine even a sliver of that which was felt by another, but I try.

That said one aspect of people I can never seem to connect with emotionally is antisemitism.

Intellectually I can construct the flawed and hatefully reason why someone might believe such idiotic things, but it is a mindset and a prejudice that is always alien to me.

Perhaps my distance from it stems from my own non-religious nature. While as a child I was exposed to Southern Baptist teachings in Sunday school they never took root in my mental garden. Even if they had I suspect my ever-questioning nature wouldn’t have place me in a position to hate Jews because they had ‘killed Jesus.’ Wasn’t that his purpose anyway? To die, albeit get better after that that, for our sins? That would just mean the people who killed him were all part of God’s plot and plan. It makes no sense.

Of course, there are the conspiracy theories that Jews run the world. Conspiracy theories are sanctuaries for those that need an explanation for the chaotic world we live in. They are poison to a healthy mind, and none stand up to the most casual scrutiny. I cannot emotionally connect with any conspiracy theory; they are more ludicrous than any religion.

Sadly, antisemitism is very real and my lack of ability to even fake feeling it has no bearing on the world, only a weakness in my fiction. Out there in the wider world it is alive and well and sadly thriving.

It may be strange, alien, and incomprehensible to me but that doesn’t mean I will not denounce it or that I will not fight it.

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