An Unimaginable Future

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I was born in the early 1960s making be part of the tail-end of that massive generation the Baby Boomers. Bright beckoning futures such as Star Trek filled my childhood while the ever-present threat of nuclear annihilation hovered over our heads. For decades the go-to and standby baddies of most fiction was the menacing duplicitous and seemingly everywhere conspiracy of International Communism as exported to ever trouble spot around the globe by the Union of Soviet Socialist Republics, but we just called it Russia.

The United States led the ‘Free World’ against the spreading, infecting, and corrupting influence, and subversion of freedom by Russia. Our allies, while not always endeared to out ways and over-sized personalities, stood shoulder to shoulder with us in that fight, united in the belief that freedom was a universal good. Even if we, and I mean all of the allies, more often than we’d ever admit, fell short of that lofty ideal. The striving for that goal, for a more perfect realization of freedom for humanity, for the rights of self-determination, is what stood as apart from the vast police states of Russia and her brood of puppet nations.

Throughout the 1980s I had friends across the American Political spectrum and my conservative ones were steadfast in the belief that Russia posed a threat to democracy and freedom. That Russian intelligence services infiltrated and manipulated groups in our open society creating conflict and divisions that weakened the ‘free world.’ They were right. After the fall of the USSR so much came to light about their massive operations attempting to exploit both our divisions and our freedoms against us. My conservative friends crowed in being proved right.

And now I live in a future that would have been unimaginable to all of us in the 1980s. I don’t mean the power computers we carry about in our pockets like so many dimes, nor do I mean the fantastic imagery we created with keystrokes, or that we can now launch and land rockets as we envisioned in the SF movies of the 1950s.

No, I mean that those same conservatives who crowed so loudly about their correct detection of the threats to our freedoms have so willingly, so enthusiastically wedded themselves to the very same threat. That violations of the constitutional order and attempts to steal power from legitimate free and fair elections are swept away as mere distraction of ‘personality.’

Back in the 1980s a common criticism of the left from my conservative friends was that the people on the left were only voting for their own selfish interests, free food, and money from the teat of the government. It is clear now that this charge is quite accurate to the conservatives. All professed dedication to the ideals of democracy and the ‘free world’ are casually overthrown for the party that promises to keep delivering the goodies you want. Maybe those goodies are tax cuts and commerce unrestrained by the public good. Maybe it’s the power to compel people to live by your own hypocritical ethics. Or perhaps it’s the promise to not encumber your choice in firearms. Whatever the ‘goodie’ it is clear that the ideals of Freedom are disposable when weight against that selfish interest.

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The Journey in Writing a Novel Without an Outline

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On May 3rd without any preparation or planning I started out writing what would become my first horror novel. All of my previous attempts in horror had been of the short fiction variety and all of my previous novels had been written from carefully created detailed outlines. I had low expectations of success thinking that I would most likely lose the thread of whatever it was I was writing before I had managed 10,000 words.

About seven thousand words into the project, I felt I had a fairly good grasp on what I wanted to do with the characters, settings, and themes. Enough so that I drafted a one-page act breakdown that listed possible events in each of the five acts. While the novel had no outline, I am still very much a writer that believes in structure, and I have become quite devoted to a 5 Act format for my works.

Over the Thanksgiving Weekend I completed the first draft of ‘The Wolves of Wallace Point,’ a novel with a far higher ‘on-screen’ body count than any of my previous works. Now a week before Christmas I have completed my revisions to the first draft. Despite flying blind without little set-in stone about the plot very little of the manuscript required any form of major change. Once my sweetie-wife has completed her pass to catch my spelling and grammar sins it will be ready to hand off to the beta readers.

I am uncertain if I actually did manage to hit the target tone of horror and I may have landed adjacently in the ‘adventure’ genre. Then again, I know I can be very picky about horror and being so close to the work may have in fact blinded me to its nature. That is why beta readers are so vital in this process.

The entire experiment took just over six months from the first scene to completion surprising me in just how smoothly the writing actually went. Thematically ‘The Wolves of Wallace’ point is in conversation with a few prior works of fiction, principally 1941’s The Walk-Man from which nearly all of everyone’s conception of werewolves descend and an episode of the original series of Star Trek‘The Savage Curtain,’ which badly explored the difference between good and evil.

I have learned many things about myself as a writer over these last seven months. That I can trust my sense of plot and structure even when I am fumbling in the dark. That I can trust my sense of character and let some simply walk on without a need to construct carefully erected backstories. And that theme can provide an essential guidance when nothing else is really known.

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The Crown Has Lost Its Glitter

 

I was shocked when I got totally sucked into Netflix’s series The Crown. I am not and never have been a Royal Watcher. The Royal Family of the U.K., or any nation for that matter, has had little interest to me. At heart I am a lower caser republican.

However, the first season with the young Elizabeth as a dram seized my imagination and I was hooked for the first four seasons of this drama.

Season 5 came around and it took me quite a while to get through the entire run of ten episodes. Not because it was bad, the production quality remained outstanding, the cast impressive in their talents, and writing sharp, I just didn’t care. What I didn’t and don’t care about is the Charles and Diana show.

Their ‘fairy tale’ romance held little interest for me when it happened, their marriage and its trouble held even less. I do remember when she died because I was at a WorldCon and there were some tasteless parties the final night, but, as with all celebrity deaths, it occupied very little of my mind.

Last night I started season six episode one. I didn’t not finish. I don’t care about her relationship with Dodi, I don’t care about his with Camilla. The last two seasons, much like the Hobbit trilogy, has wandered far afield from the character it was supposed to fixate upon.

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The First Draft is Complete

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This will be brief as the day-job continues its usual Medicare Open Enrollment madness and for the near future I will be using mass transit to get to the office.

So, the first draft of my werewolf horror novel temp titles ‘The Wolves of Wallace Point’ is finished. I completed the draft at LosCon, working from my laptop in the hotel lobby after the parties had lost their allure.

Originally, I had aimed, or hoped, for a length of about 80-75 thousand words and the draft landed at 94 thousand. I am about halfway through the revisions, which are smaller scale than I would have expected for a novel written without an outline, and I have added about 1000 words.

I have written horror before. My short story collection ‘Horseshoes and Hand Grenades’ is principally horror short stories, but I had never attempted a full novel in that beloved genre. The fact that my first horror novel was also my first without the outline process continues to surprise me.

Once the draft has been cleaned up and the inevitable run-on sentences and mild misspellings have been located by my sweetie-wife it will be time to beat the brush for beta readers. I suspect that this novel will survived its encounter with beta readers, but I have been wrong on that front before.

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Movie Review: Godzilla Minus One

Toho Studios

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In the nearly 70 years since the very first film the Godzilla has ranged from the very serious thematic representations of Atomic Age fears to wildly chaotic affairs aimed at children. The brainchild of filmmaker Takashi Yamazaki who wrote, directed, and served as Visual Effects Supervisor on the film Godzilla Minus One is a return to employing the legendary monster as a thematic metaphor exploring serious adult topics.

Eschewing the lore of the previous movies in the franchise this film can be considered essentially a remake of the original 1954 classic Godzilla, but with an entirely new set of characters and subtextual intentions. Covering the period from just before the end of World War II until the late 1940s Godzilla Minus One speaks powerfully to the destruction, stupidity, and waste of war.

After an encounter on Odo Island that left his deeply traumatized Koichi Shikishima (Ryunosuke Kamiki) lives in disgrace and poverty while being generally despised by his neighbors for surviving the war. Thrown together in the ruins of firebombed Tokyo with Noriko (Minami Hamabe) Koichi is unable to escape the nightmares of his past and only through confrontation with Godzilla might he possibly excise the unwarranted guilt and shame he has carried since the war.

Yamazaki has crafter an excellent film. As a screenwriter he cracked the difficult problem of combining a deeply human and dramatic story with a plot that finds a monstrous Kaiju leveling destruction on a recovering Japan essential. As a director he possesses a keen eye and understand that keeping the camera mostly at human eye level injects terror rarely experienced when a kaiju is photographed level with their own head. The visual effects of the film are utterly fantastic. While there are bits and pieces where the seams show, naval vessels that aren’t quite perfect in the rendering, the same for some trains, Godzilla itself always is perfectly depicted. Production design has captured the feel of devastation that encompassed Tokyo following the horrors of the Allied bombing campaign.

The film’s score uses movements from the original film’s composition, notably the marches for the Imperial Self Defense forces and Godzilla’s theme. The recording and performance of these pieces is simply epic.

Unlike previous serious Godzilla movies, this film is not concerned with minister and generals, keeping it story focused on civilians and veterans, the people on the ground who lived through a war in which their government too often decided that their lives were something to be lightly tossed away in futile gestures.

I cannot recommend enough that Godzilla Minus One needs to be seen in a proper theater. The movie is epic and grand in every way save for it tightly focused human story. While I could quibble about some aspects of the story final resolution, those issues are not enough to devalue any of my admiration and love for this piece of art.

Godzilla Minus One is playing in theaters in Japanese with English subtitles.

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General Catchup:

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Posting here of late has been quite sporadic for a couple of reasons.

Firstly, the current novel in progress has consumed most of the creative CPU cycles in my brain. Perhaps the fact that I am ‘pantsing’ the book, that is writing it without a pre-created outline means I need more synapses on station or perhaps because it is my first novel length horror project, or some other reason, it’s been front and center of my brain for weeks. Either way there has been creative output toward the blog and more in the direct of these Family Value Fascist werewolves.

Secondly, we have entered the busy season at my day-job. The non-profit healthcare HMO I work for get very busy from October thru January as this is the yearly ‘open enrollment’ period of member’s with Medicare to enroll, disenroll, or make changed to the Medicare HMO coverage. Overtime becomes plentiful and work takes up loads of hours.

Still, this weekend, after shifting my working on Friday to 7am until 4pm, my sweetie-wife and I sped up to L.A. and enjoyed the weekend with the Los Angeles Area SF Convention, LosCon. This year I did not participate as a panelist, but enjoyed going to panels on writing, movies, and technology. In the evenings there were room parties, lengthy discussion and I ended each night in the lobby with a soda, my laptop, and the final chapter of my horror novel. Which I completed on Saturday night.

The last couple of panels of the convention were of only middling interest to us and so we left about 2:30 pm to get home to San Diego. Once home we settled on simply microwave meals and watched the new Doctor Who special.

All in all it was a good weekend and today I start the corrections and revision to ‘The Wolves of Wallace Point.’

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Movie Review: Next Goal Wins

Searchlight Pictures

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Even someone as disconnected from the world of professional sports like myself knows that soccer is a low scoring game. It’s quite a shock to discover that it is a historical fact that the American Samoa team were crushed, annihilated, and humiliated by Australian National team losing to them by the astounding seemingly impossible score of 31-0. Next Goal Wins is the comedic, true-life inspired, sport feature film from Taika Waititi.

If you have seen comedy sports team movies before, such as The Mighty Ducks or The Bad News Bears, then you will instantly recognize the structure of this movie. The irascible tantrum throwing coach, in this case Thomas Rongen (Michael Fassbender) is tasked against his will to bring a team of outcasts, misfits, and oddballs into some sort sporting shape before an emotionally important game. Along the way the team learns something of value from the coach and the coach learns that there is more to life than sports and that he shouldn’t judge on early impressions.

Nothing in Next Goal Wins breaks this fundamental story construction, but two things do make this movie distinct. First, the film take time to respect and enjoy the culture of American Samoa. The people of this island nation are the real heart of soul of the production. Secondly the film is very much fixed in the off-beat humor of its director and co-writer Taika Waititi. Waititi’s humor is grounded in humanism. It is rarely cruel or mean and often celebrates humanity’s oddness that produces such infinite variety. Much like his current HBO series Our Flag Means Death, this film elevates the weird and different illustrating that joy is a much better way to live than anger.

This film is not a deep exploration of human soul, but it is concerned with that soul and that to be happy is important and sometimes it is choice. This is one well worth seeing.

Next Goal Wins is currently playing in theatrical release.

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Movie Review: The Marvels

Marvel Studios

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Marvel Cinematic Universe films come sin several flavors and tones, from the intensely personal and dramatic such as Captain America: Civil War, the thematically serious such as Black Panther and its critique of both colonialism and ethno-isolation, to the comedic and lighthearted such as Ant-Man. 2023’s The Marvels, while resenting world-ending threats for humanity, falls cleaning and intentionally into the light and comedic category.

As a side effect of a magical device entangles the power of Ms. Marvel, Kamala Khan (Iman Vellani), Captain Marvel (Brie Larson) and Captain Monica Rambeau (Teyonah Parris) the three women are forced into an oddball partnership to stop the murderous revenge rampage of Kree warrior Dar-Benn (Zawe Ashton) bitter from the fall out of Captain Marvel’s ending the Kree wars and domination depicted in the film Captain Marvel. Supporting characters include Nick Fury (Samuel L. Jackson) and Kamala’s immediate family introduced in the limited series Ms. Marvel.

The ‘mismatched partners’ is a classic genre of cinema and while that sort of story is often a two-hander, screenwriters Nia DaCosta, who also directs, Egan McDonnell, and Elissa Karaski juggled the competing needs of the ‘forced partner’ comedic tones with the serious world dying stakes that are often a requirement of superhero movies, and the family conflicts quite well. The Marvels is principally a comedy, one that finds its humor in familial relations, both blooded family and the found variety. Any doubts about the intentional comedic tone are dispelled by the tongue in cheek use of the song Memory from the musical Cats. The difficult problems of exposition dealing with characters entering the theatrical world who were created in the streaming series format is handled with quick amusing lines. (You got your powers walking through a witch’s hex? Yup.)

The cast is uniformly good and talented, handling the FX work and the comedic character beats with equal skill. The cinematography by Sean Bobbit is perfectly adequate capturing the sequences with enough flair to have some emotional impact but not quite reaches truly impressive levels.

While The Marvels will not reach the heights of becoming one of my favorite 5 MCU movies it is certainly well cemented in the upper half of this franchise and with a running time under two hours it makes for a pleasant and fun distraction.

The Marvels is currently playing in theaters and well worth the trip to see it on the impressive big screen.

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November is National Novel Writing Month

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National Novel Writing Month, NaNoWriMo, has started and loads of people have enlisted in their attempts to write 50,000 words on their project by November 30th.

50 thousand words is not an obscene goal. It’s 1667 words per day, every day. It’s tough but certainly doable. I am not participating in this grand global goal not because I do not believe in it but because I am already eyeball-deep in my current project. I did once attempt to do a NaNoWriMo. It would have been a science-fiction novel about the survivors of a crashed passenger liner. It also would have been written without an outline. That novel crash and burned as completely as the doomed starship after less than 10 thousand words.

Still, NaNoWriMo is a good thing. For many writers the temptation do anything but write is quite strong. There is always something else that needs to the researched, there are tone boards to construct, characters to devise, locals to investigated online, so much that prepares you for the writing that is not writing. Making a public commitment to NaNoWriMo help some over that hump between planning and plotting and what is the hardest part of writing, butt to chair, fingers to keyboard. (Or pen to paper, or voice to tape. There is no one correct way to wright.)

So if you have committed yourself to this endeavor, may your words flow like wine, may your plot not clot, and remember even if you don’t hit the goal, writing itself is the victory.

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