Category Archives: writing

The Hardest Part of Writing a Novel

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It’s really not the novel itself. It’s not plotting out the twists and turns of the story or combing through the entire 90,000 words trying make sure you don’t look like some who failed basic English.

Nope. It is none of those things for me.

It is writing the god damned synopsis.

I’ve spent six months carefully working out line by line precisely what the story is, who the characters are, what the twists and reveals need to be, and hopefully crafting a tone that is engaging and provokes the emotions I want to reader to experience. Now, I have to find a way to convey all that in just a few pages and yet engaging enough that an agent or editor when they read it feel energized and want the full experience.

Can you tell that’s where I am at on The Commune? I have my query letter in place for the next cycle of agent stalking and I think it’s my best one yet but the synopsis? Man, that’s hard.

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The Trope of Inverted Tropes

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A trope is a well-worn concept, idea, or situation in fiction. An ambulance chasing lawyer, a doctor obsessed with playing golf, a sex worker with a pure and good heart are examples of tropes well known in previous decades that have fallen out of style and are for the most part now forgotten.

Genre fiction has its own set of tropes that are widely known and for several decades now the flipping of those tropes has been a popular move.

The trouble with tropes is that well-worn and predictable that can often lead to lazy, bad writing and stories. Little that is new, original, or even interesting is presented but rather reheated leftovers instead of a finely prepared meal.

In some cases, the inverting of a trope is motivated by correcting past prejudices, preconceptions, and stereotypes. Sometimes it’s meant as a twist or surprise to the narrative, such as it’s not the shinning knight that is the villain of the story, but the poor dragon hounded and hunted for no good reason, it’s not the creature that is the monstrosity but the villagers, and handsome prince is in fact a terrible and abusive person.

Honestly, I can’t recall a story of recent vintage in which any of the above genre tropes was deployed in anything close to its original form. Everything tale and piece has been the inverted trope, and I think that has become the new default setting for many of these concepts and situations.

So common has the inverted trope become that in my eyes is had become the reheated leftovers and not the fresh new take. Every witch I see in a story I know now is really a good person, unjustly feared and outcast. The inversions become the boring, predictable text that offers little in the way of a new voice, a new vision, a new take on anything.

This is not a plea to return to some ‘golden age’ of stories. That never existed, but I think it’s important, particularly when dealing with concepts that have been around for thousands of years, to bring something fresh that is not merely the reverse image of something else.

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Blood is Magic, Not Food

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With last month’s release of Robert Eggers’ stunning remake Nosferatu vampires and vampires media has been on my mind.

In Nosferatu Count Orlok is presented pretty much as the traditional folk tales describe an undead vampire, a walking corpse, decaying and revolting, that feeds upon the blood of the living. Orlok is much closer in appearance to the post Romero ‘zombie’ than to the urbane European nobleman displayed in my adaptations of Dracula.

With Dracula, both the original novel and the nearly endless adaptations, the vampire moved away from that walking corpse towards a more romantic figure. Anne Rice’s Interview with the Vampire proved instrumental in moving the image of the vampire into one that was more tragic and a figure to be pitied rather than feared. Over the decades the vampire continued to transform into tragic romantic heroes slowly becoming not monsters of the night but simply life-impaired individuals, comic-book characters with tremendous powers and a few unsavory quirks.

A trope that emerged from this transformation that has always rankled me is the habit of treating blood as merely another nutrient. A process that gave us the character Angel buying blood from Sunnydale’s local slaughterhouse to sustain his dietary requirements.

Even just typing that out annoys me to no end. The vampire feeding on the blood of living humans was not the same as someone has a nice bowl of soup. It was not about calories and essential elements it was about life. Blood, to the pre-scientific world, was that strange substance that meant life itself. Blood was always at the center of the most powerful magics. Turning it into just another meal product that can be ordered from your local distributor cheapens that entire symbolism of the myth and robs it of most of its horror.

I will admit that this is just part of a larger issue I have with ‘scientific’ and rational approaches to supernatural horrors. It seems logical to treat the vampire’s feeding on blood the same as out feeding on plants and animals, just as it ‘logical’ to treat werewolf transformations as bound by the conservation of mass laws. Both are violations of the magical, wonderous, and inexplicable nature of the supernatural. Vampires are the dead. They are not just different kinds of people and I am thankful that Eggers bucked the slick modern trend of making them cool and sexy returning the monster to is terrifying and revolting roots.

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Quick Thoughts on Prologs

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Prologs are a never ending source of debate and contention in the writing community with some saying always avoid and other loving them. The truth, as usual, I think lies in-between.

They are far too often used as a place to dump exposition and world building which is usually a sign that an author doesn’t have confidence in their ability to weave that vital information into the narrative itself.

I have often listened to prologs in critique session and advised cutting them and yet my published novel has one so I cannot be described as a rabid anti-prolog writer.

Here are a few quick guidelines I have for effective prologs.

1) It shouldn’t involve the protagonist. If it does, then it should be part of the main narrative.

2) It should contain information that the protagonist doesn’t know at the start of the story. That is, it is information that primes the reader for what is coming but the characters remain blindsided.

3) It should not be resolved. It’s not its own little short story it is a building block of the larger tale. If everything in the prolog is resolved than the reader has no pull to turn the page. The prolog is a harbinger of things to come, not a neat little package complete and finished.

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The Art and The Artist Part One Million

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With the further and now apparently well documented allegations that paint Neil Gaiman as a rather nasty piece of work we are once again thrust into the unresolved and unresolvable debate concerning separating the artists from the art.

First off, it is decision of personal moral standards. I hold no ill will or any negative opinion for anyone that decides to boycott or who continues to support the art an artist. We each make our own choices about how much compromise the broken world demands of us. No one can live in this universe pure and unsullied. Every choice we make has consequences and moral implications.

Personally, I think one defining line is asking how much of the art promotes the objectionable stands, beliefs, or actions of the artist. Roman Polanski should be rotting in a prison cell for forcibly raping a child. yet, his cinematic production of Macbeth or Chinatown do not promote such a world view and while both have a cynical approach to evil in the world, both recognize and clearly delineate that the evil is real and not an arbitrary illusion crafted by mere mortals.

Bryan Singer a talented filmmaker is always accosted with more than a little credibility of also sexually abusing minors. If true he should face legal consequences. But it is also true that his film X-Men is an allegory for the mistreatment of minorities and takes a stand against such bigotry.

Kevin Spacey’s career was derailed by allegations of sexual abuse and he cowardly tried to use he newly disclosed sexuality as a shield. A dodge that did not work and he was ejected from a number of productions. Spacey’s portray of Jack Vincennes as morally corrupt cop who comes to realize the evil he has helped perpetuate and tried to correct it is a deeply moving and touching job that gives hope to the concept of redemption.

In each of these cases and others I would argue that the art is not corrupted by the evils of the artist. These are also all films, and I think the boycotting of film productions if particularly problematic.

Film is a collaborative art and to boycott a film is not just a harm to the objectionable artist but to all the artist that work and profit from that production. Boycott the Harry Potter films due to Rowlings despicable beliefs and you also are striking against Radcliff who gives every appearance of a devoted ally. Boycotting film, for me personally, has too high of a ration of collateral damage to target.

Books are a different matter.

Only three entities profit from the sale of a book, the book seller, the publisher, and the author. Everyone else has already been paid and compensated for their time and labor. If you are one to buy books then your support for the book seller is unlikely to change, leaving just the publisher and the author. Given that I find the boycotting of books from questionable artist much easier to justify.

Luckily for me I was never much of a Gaiman fan with his novels, so not buying them isn’t so much a boycott as life as normal. For you, well that’s your decision.

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Celebrity is a Performance

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The Neil Gaiman story which went much wider this week with a long and disturbing account of his alleged sexual assaults and other nasty work has stirred up some very deep feelings of betrayal among his fans in the fantasy and horror communities.

I don’t blame them for feeling betrayed. Gaiman had constructed a nearly perfect public persona that invited respect and admiration. He doled out advice that encouraged artists of all stripes as they struggled with impostor syndrome, his stories celebrated the outsider, and they presented a level of inclusion that welcome many groups of people form whom society has always felt excluding and threatening.

But it his public persona was all for show, and the most vital lesson we need to take away from all this is that all public personas are for show.

Gaiman, Whedon, Cosby are but a few names of men with public faces that made them admired are people who lifted up others and presented what appeared to be images of our better selves. The truth for each of these turned far darker than most expected.

Everyone who is some form of celebrity presents a public face that is not their true self. Some do it to market themselves and their art. Some do it to cover up an inner insecurity that never leaves them. Some do it because their true selves are not readily accepted in wider society. This is particularly true for those in the closet. But some do it to conceal their monstrous nature.

On the outside looking in we cannot not their true selves, we can only know what they project, the image that they create and distribute for their own purposes, some of which are mercenary, some self-protecting, and some nefarious. This is way it is important to never place anyone on that pedestal of admiration.

Praise the art, praise the skill of the artist, but do not believe that simply because of the art that they are good. They may be, there are noble, good, and great people everywhere, but you cannot know them save by their actions and even then, your data set is limited by what they want you to know.

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My Writing Report Card

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It is a new year and I am not one for resolutions, but it is a time to look back at what I wanted to achieve and what I did achieve.

I set one writing goal for myself in 2024, to write a full folk/cosmic horror novel before the end of the year.

Now, I did not set this goal in January but rather July, the first half of the year was finishing up the previous horror novel, getting it out the door to a publisher I had worked with before and begin the tedious process of searching for representation. All those goals were met by July with the agent hunting a continuing endeavor. That left six months to go from a vague concept to a completed first draft for the new novel.

As my last post indicated I did not quite meet that objective. The first draft landed at 84 thousand words on Jan 3rd, 2025, three days late.

Considering the unique process this book followed to its initial draft I’m quite pleased. Normally, I am an outliner, produced pages and pages of notes, characters backgrounds and a detailed map of the plot and the story as it unfolds. Not this time. With only a vague notion of what I was going to do with the story, and shockingly for me, no clearly defined ending, I just began writing.

I expected that if I made it past 10,000 words then the project had a better than fifty/fifty chance of reaching completion. I found a few sticky spots where I stopped my weekday writing to let ideas cook and figure out the next few events but generally, I maintained a steady pace of 800 to 1000 words each weekday.

In fact, had I not on the final week of the year taken two days off to detail notes for the table Top RPG I run I would have met that December 31st self-imposed deadline.

Now I need to do serious revision work. I had to create new backstory elements for the protagonist halfway through the draft and that means the first half doesn’t line up with the second half. There are characters that appeared in the second half that need to be established and such, but overall, I am happy with the draft and the project.

I give myself a solid B as a grade and look forward to the next three months as I mold this thing into its final form.

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Goal Not Met

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So, in late June early July I began writing my American Folk/Cosmic horror novel. An experiment for not only was it a genre I had never attempted in long form before but I began the manuscript without an outline.

My goal was to have a completed first draft, but not an edited one, by the end of the year on December 31st, 2024. Today is that date and the manuscript is not finished.

It is close, it is amazingly close, but with mere hours until the close of the year and a full day at the day-job still to complete I have to face the fact that I missed the goal.

There were writing days between July and today when I did not write. This new process of flying without a map produced a few times when in the middle of the story I became more lost and disoriented that usual. The end of the year is also a time when the day job become quite busy and pushing myself into serious amounts of overtime, while profitable, instigated migraines and cost me writing time as well.

Still, I did quite well. When I say it is close to being completed, I am talking less than a few thousand words. A day or two of writing and it will have been landed. Granted because of the no outline process the edit and revision process will be far more extensive than for other manuscripts. Halfway through the story I realized I had a motivation issue with the protagonist. What I had given her was not enough to propel her through the entire story. A change to her profession fixed that trouble, adding additional reasons for her to continue in a dangerous environment but that means new scenes and more rewrite for what had already been crafted.

Still, I like what I have written. I like the concept, and I look forward to completing the manuscript.

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The End of Spooky Season and Final Stretch for 2024

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October has left us and there were some very nice horror films that I visited for this time of the year when summer dies away and darkness creeps in. Though my favorite horror films that were new to me this year I watched outside of spooky season, Longlegs That Satanic serial killer film from Oz Perkins and Immaculate the feminist/religious/body-horror starring Sydney Sweeney. (Reviews for both are on this blog.) Though there is time for Heretic with what looks like a deliciously evil Hugh Grant to win a spot at the top.

My own foray in horror proceeds but a bit slower than I had wanted. My folk/Cosmic horror novel should have been at 60,000 words by the end of October but landed at 55,000. 5K short is not terrible and it remains very likely that the first draft will be completed before year’s end.

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I am Falling Behind

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The writing of my folk/cosmic horror has fallen a little behind the schedule. Just 3 or 4 thousand words shy of where I want to be by the end of October. Still, the novel might be completed by the end of the calendar year, particularly if it ends up between 80k and 90k words.

Right now, I am at the most challenging part of my novel writing process. I am more than halfway through the first draft and the sensation that I haven’t a clue how to make the whole piece work is quite strong. This mid-plot doldrum and uncertainty occurs even with a carefully outlined book and seems more intense with this work which I am writing without the safety net of a prepared outline.

Still, there are aspect of this manuscript that have me very happy. My three point of view characters have strong distinct voices, and I have confidence in the material even if I don’t have that for myself.

This weekend is likely to be rejuvenating for me. We have a small local convention to lift my spirits and on Monday I am driving to Hollywood to see Quatermass and the Pit one of my favorite films projected from a technicolor print.

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