Category Archives: Television

More Series Impressions: Monsieur Spade

AMC Studios & Studio Canal

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It is the early 1960s and private detective Sam Spade (Clive Owen) is a rich retired gentleman living in comfort and ease on an estate in the south of France. Spade had come to France’s Mediterranean coast delivering a young girl to a family that denied her paternity and ended up in a place where he believed he might finally find peace. However, with the return of a renowned troublemaker Same is thrust into the middle of a grisly mass murder and once again must prove himself the master detective.

I have been a fan of The Maltese Falcon since I was exposed to its brilliance in a film class back in the early 80s. I own a copy on Blu-ray disc and of course I have read the novel. When I heard that Scott Frank, the creator and showrunner for The Queens Gambit, was creating a series about a retired Sam Spade my interest shot up like a rocket.

Monsieur Spade, much like The Queens Gambit, reveals its story by use of a fractured timeline, covering both Spade’s arrival in the small French town and his comfortable life a few years after. One does not need to have seen or closely remember The Maltese Falcon in order to enjoy this well-produced series, but having such information fresh or well-recalled will enhance your viewing experience as characters and locals from that classic film and novel are referenced. The events of the adventure may yet play a major role in the unfolding mystery but as of the 90-minute pilot episode they provide color for the character.

Owen makes a very credible Spade. That are moment when the costuming, hair, make-up, and framing recall Bogart’s interpretation of the character quite strongly. The episodes were produced in France and utilizes a number of that nation’s actors helping cement a realism about the time and place of the tale. The premier episode, while carrying the heavy load of establishing characters and their history, and there is a large number of characters with interlocking backstories to follow, manages to be compelling drama in its own right and has hooked me for the rest of the series.

Monsieur Spade streams on AMC and AMC+.

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Series Impressions: Masters of the Air

I am calling this post an impression because I do not feel I and anyone can fairly review any piece when it remains incomplete. I may return after the series finishes its run and give my opinion on its totality.

Apple TV+

Masters of the Air is the third limited series production from Tom Hanks and Steven Spielberg about the Second World War. The first series, Band of Brothers followed ‘Easy Company’ an Infantry Regiment during their combat in the European theater while the second, The Pacific followed Marines during their island campaigns against Imperial Japan. This show follows the 100th Bombard Group, the ‘Bloody 100’, flying B-17s into occupied Europe on dangerous and costly missions. The Group earned their nickname after suffering extremely high losses in the first few months of the deployment into action.

The story focuses on a pair of friends Gale ‘Buck’ Cleven (Austin Butler) and John ‘Bucky’ Egan (Callum Turner). Writing advice would tell you not to created characters with similar names but history cares not for your rules of writing.

The first pair of episodes, released together, covers the Group arrival in England, illustrating that now dangers come from active combat missions as faulty navigation and mechanical failures can be as deadly as well, through the first mission pair of combat missions into the continent and the Norwegian coast. Along with Buck and Bucky the audience is introduced to a number of characters, Harry ‘Croz’ Crosby (Anthony Boyle) a navigator that suffers from airsickness, Curtis Biddick (Barry Keoghan) a fellow ‘Fort’ commander, and others.

The characters of the series are in general likeable and differentiated enough as to feel like distinct people. The production values are topflight with perhaps the best depiction of ‘flak’ anti-aircraft fires I have seen. Anti-aircraft artillery is ground based cannons firing shells into the flight path of the aircraft timed to explode at the target’s altitude, throwing up a curtain shrapnel in an attempt to damage or destroy the planes. It’s tell-tale sign are the sudden black clouds that appear in the air when the shells detonate. In previous films and shows the deadly black clouds are nearly always all that you get but with modern visual effects and utilizing On-Set Virtual Production, such as has been employed by The Mandalorian and Star Trek: Strange New Worlds, can the terror and helplessness of the bomber crews can truly be recreated.

While I had little interest in following group troops through their horrific ordeals in Europe and the island hoping campaign in the Pacific, I look forward to the remaining seven episodes of Masters of the Air.

Masters of the Air streams on Apple TV+.

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TV Review: Monarch: Legacy of Monsters

Apple TV+

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Set in the American Kaiju-verse, (Godzilla (2014), Kong: Skull Island, and Godzilla vs Kong (2021), the series by use of a split timeline narrative, explores both the founding of the Kaiju hunting organization Monarch and the bureaucracy that had become ossified over the decades.

The founding storyline centers on Keiko, a Japanese scientist, Bill, an American Cryptozoologist, and Lee Shaw, an American Army officer assigned as security to Keiko. Together that discover the threat of the Kaiju, which the series names ‘Titans’ and battling the headwinds of racism and national security driven paranoia establish Monarch.

The ‘current’ storyline follows Cate, a traumatized survivor of Godzilla’s battle in San Francisco and granddaughter of Bill and Keiko, Kentaro, an artist from Tokyo and another grandchild of the founders of Monarch, May, a computer scientist on the run with a mysterious past. The siblings, along with May, search for their missing father with the aid of an elderly, but with an unexplained vigor, Lee.

To bridge the twin timelines with the character Lee, the producers cast actual father and son actors Kurt Russell as the elder Lee and Wyatt Russell as the younger version of the character.

The series does a decent job of balancing the doubled plot threads, though the choice to tell the historical timeline out of narrative order can lead to some confusion as that cotemporary timeline, aside from a flashback or two, is presented in a standard linear fashion. The characters and performances in both threads are decent and engaging with more Kaiju action presented that what might be expected from a television series. The big man himself, Godzilla, is not held back for a guest appearance in the series’ finale but is utilized, sparingly, as needed throughout the first season. The show has enough mystery and character to carrying interest without ever forgetting that this is set in a world where gigantic monsters exist. If you are looking for non-stop Kaiju wrestling then the series is likely to disappoint but I found it fun, entertaining, and with just enough character to make it worth the watch.

Monarch: Legacy of Monsters streams on Apple TV+

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A Late Christmas Gift

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A gift my sweetie-wife ordered from the UK arrived this weekend, a six-disc collection of the BBC’s Ghost Stories For Christmas. A series of television productions, many which are adaptation of stories by M.R. James, that we have been wanting to watch for some time.

We have started in on any of them yet because we are completing the annual marathon of the extended editions of The Lord of the Rings. Man, 20 years old but they still hold up. After that we will be exploring the spooky, uncanny, and horrifying.

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2023 A Personal Review

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The year, as we in the west number it, is coming to a close and that is a time for reflection. This year has seen triumph and tragedy in my personal life, much like the years that preceded it and that will follow.

In January I began the world building work for my next science-fiction novel, a dystopic and cynical story set on the corporate cities of Mars under the thumb of a once brilliant billion now degenerated into madness and paranoia. With it set only a hundred years into the future that required lots of research and planning to keep from making myself appear too foolish. This month also saw a dear friend of nearly 40 years struck with a terrible wasting degenerative neuro-muscular disease.

February saw the released of a pair of films that I thoroughly enjoyed, Megan a fun take on the killer doll cliche and Cocaine Bear which delivered precisely what was labeled on the tin.

In March I continued the work on my Mars novel and endured the lackluster Antman and The Wasp: Quantum Mania and the even less enjoyable 65 but was treated to the spirited and fun Dungeons and Dragons: Honor Among Thieves.

April saw the historic event of a former President of the United States charged with crimes and his party lash themselves to the mast of his sinking ship. Sadly, nothing in the intervening 8 months changed and they remain devoted to his insurrection and criminality. April was also when I began thinking seriously that the time was right for someone to revisit the werewolf as presented in 1941’s The Wolf-Man with particular attention to the fascism in the subtext.

May was a birth month, a celebration if you wanted of my own and the experimental scene I wrote for a very vague and unformed concept of a werewolf novel. After its reception at my writers group and with their encouragement I continued on past that scene and unwittingly started writing a novel without a prepared outline.

In June I watched Asteroid City a strange almost poetic film nearly devoid of any traditional plot and yet strangely compelling. All world building work ceased as the werewolf novel took over all of my creative CPU cycles.

July was a very good month for movies with the release of Oppenheimer and Barbie both film outstanding in their quality with resonate themes of deep importance. My sweetie-wife and I finished the TV series Silo and agreed it had been a waste of time and talent as had Marvel’s Secret Invasion. It was about this time that I began to seriously consider that my unplanned novel was not going to crash and burn and might actually get finished.

In August The unplotted novel passed 40,000 word and my sweetie-wife and I discovered the delightful Australian murder/comedy series Deadloch a real hidden treasure on Amazon Prime.

September witnessed the passing of that dear friend diagnosed in January and once again the hard terrible lesson of life is that it ends. The movies of this month, A Haunting in Venice, and The Annual secret morgue of genre films, did little to mitigate the sadness of that period.

With October I became confident enough in my werewolf novel to reach out to a former editor and pitch him the book. He expressed an interest but also cautioned I would need a pen name for it. The Annual Enrollment Period (AEP) for Medicare Advantage enrollment started and the day-job became more stressful and busier but work on the novel continued.

November was a pleasant month. Two enjoyable features at the theater, The Marvels and Next Goal Wins provided comfort cinema, the annual sf convention LosCon provided friends and geek infusions as well as seeing to completion of the novel first draft.

That brings us to December, I closed out in theater film watching with the fantastic Godzilla Minus 1, abandoned the series The Crown as the Charles and Diana story held little interest for me, and turned my manuscript over to my darling sweetie-wife for her red pen of corrections.

As I said at the outset, 2023 held triumph and tragedy and now onto 2024.

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Quick Thoughts a New Discovery: 1670

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My sweetie-wife discovered the existence of this Netflix series from Poland 1670.

Netflix

The show is centered on a fictional Polish village in the year, you guessed it, 1670 and the trial and tribulations of its ruling noble families. It is a farcical comedy utterly unconcerned with period accuracy instead using the characters as commentary on our present world. Such as the business-minded second son who treats prayers the same way a bullying boss treats commands to underlings. It has been compared to the program What we Do in the Shadows because the characters continually break the fourth wall and address the audience directly. In at least one scene the camera itself is a participant, but without the framing device of a documentarian crew.

In the first 30-minute episode we both. laughed out loud several times and look forward to return to this strange program. It is from Poland and can be viewed either in Polish with Subtitling, our preferred method, or with an English language dub.

1670 streams on Netflix.

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The New Doctor: The Church on Ruby Road

Disney Studios/BBC

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Following the series of Doctor Who specials reuniting David Tennant edition of the timeless time lord and Catherin Tate’s Companion Donna, the newly bi-generated Doctor, Ncuti Gatwa, demonstrated his style and flair with the newest Christmas Special The Church on Ruby Road.

With Russel T. Davies return to the series the 4 specials debuting on Disney+, Disney really is trying to own all things ‘Geekdom,’ represent a return to form for the Doctor Who franchise.

With Doctor Who it is best to set aside any concerns about continuity and treat each special and episode as high fantasy rather than any variation of science-fiction.

The Doctor, drawn by a series of coincidences, encounters Ruby Sunday (Millie Gibson) a who with a deeply mysterious past, now plagued by goblins out to steal the foster baby left in her charge. Gatwa’s energy as The Doctor is fresh, spritely, and engaging. Gibson’s performance as Ruby is not plain or down-to-Earth but does have a color of real characterization that nicely counterbalances Gatwa’s manic energy.

Russel T. Davies writing remains fast but fairly straight-forward, eschewing the convoluted and nearly impossible to follow circuitous plots of the previous showrunner Chris Chibnall. At least with this Christmas special Davies has dispensed with world, galaxy, or universe saving plots in favor of a more relatable level of threat, monsters out to eat a baby. Doctor Who f the last few seasons has grown far too epic in its scope, proportions, and stakes and much like James Bond needed a radical correction.

It will be some time before we get the full season of the newest Doctor Who but for a change, I am actually looking forward to it.

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Series Review: Ultraviolet (1998)

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Several weeks ago, spurred by a discussion of the HBO series The Wire I decided that I wanted to rewatch and earlier television series with Idris Elba Ultraviolet.

Starring Jack Davenport, that many people will recognize as Norrington from the Pirates of the Caribbean franchise, the series follows Detective Inspector Mike Colefield (Davenport) who upon investigating the disappearance of his best friend that night before that friend’s wedding stumbles into the knowledge that vampires are real, and that a secret organization has been fighting them for centuries. Teamed up with a war veteran Vaughn Rice (Idris Elba), a physician Angela Marsh (Susannah Harker) and a former priest Pearse Harman (Philip Quast) Mike tries to uncover what really happened to his best friend, dodge the determined prying of the jilted fiancé, and help the organization discover what grad scheme the vampires have sudden launched.

My sweetie-wife originally exposed me to this series as she had the program on VHS tapes. Much of the vampire lore has been jettisoned. While the vampires are immortal, ageless, and possess fantastic strength and speed, they do not have the ability to enthrall, assume animal or gaseous forms but remain invisible to mirrors and all form of electronic imagery and recording.

While the series is far from perfect, the fiancé character is far too annoying and Mike’s attraction to her indicates to me that this marriage would have been in serious troubles without vampiric intervention, it is quite enjoyable and a nice take on ‘modern vampire hunting.’ These undead creates are not the romantic seducing lovers of modern fantasy but intelligent deadly predators. The entire story is told in six self-contained episodes. They can currently be streamed on Tubi for free. (You just have to endure the bloodsucking of adverts.)

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The Crown Has Lost Its Glitter

 

I was shocked when I got totally sucked into Netflix’s series The Crown. I am not and never have been a Royal Watcher. The Royal Family of the U.K., or any nation for that matter, has had little interest to me. At heart I am a lower caser republican.

However, the first season with the young Elizabeth as a dram seized my imagination and I was hooked for the first four seasons of this drama.

Season 5 came around and it took me quite a while to get through the entire run of ten episodes. Not because it was bad, the production quality remained outstanding, the cast impressive in their talents, and writing sharp, I just didn’t care. What I didn’t and don’t care about is the Charles and Diana show.

Their ‘fairy tale’ romance held little interest for me when it happened, their marriage and its trouble held even less. I do remember when she died because I was at a WorldCon and there were some tasteless parties the final night, but, as with all celebrity deaths, it occupied very little of my mind.

Last night I started season six episode one. I didn’t not finish. I don’t care about her relationship with Dodi, I don’t care about his with Camilla. The last two seasons, much like the Hobbit trilogy, has wandered far afield from the character it was supposed to fixate upon.

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The Thematic Failure of ‘The Savage Curtain’

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If you know anything of the original Star Trek series episode The Savage Curtain, it’s that it is the one with Abraham Lincoln sitting in space.

Of course, it’s not the real Lincoln but one created by aliens from Kirk vision of Lincoln. Soon Kirk, Spock, and a couple of ‘good’ historical characters are engaged fighting with ‘evil’ historical characters, some from real history as with Lincoln and some from Star Trek’s future history. The aliens are curious about ‘good’ and ‘evil’ and has created this contest to learn about these concepts. (Really, a forced pit fight is a terrible experiment, but we’ll let that slide for the moment.) After some loses Kirk and Spock win the fight and the baddies run for the hills with the aliens drawing the conclusion that ‘evil’ when forcefully confronted runs away.

Really Star Trek? That’s you conception of evil, that it is something that is cowardly at heart? Was that the result when the fascists were fought tooth and nail over every damn kilometer of Europe? That when ‘forcefully confronted’ that fled?

This is back in my head because as I am writing a novel populated with evil werewolves instead of the more popular sexy ones it has gotten me thinking about the nature of evil.

It is not that evil is more cowardly. I think one of the defining aspects of evil is that it is inherently selfish. It considers its own wants and desire above all else. it considers others as resources to be used, exploited, and discarded not as people in their own right.

In my novel this has raised its head among the pack of werewolves and it’s something to consider when viewing tragic, evil events in our all too real world.

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