Category Archives: SF

An Intriguing Start: The Rig

 

January 6th Amazon Prime dropped the first season of its new supernatural thrilled program The Rig on its service. (Not to be confused with the 2010 American Horror movie.)

Starring Iain Glen (Whom many will recognize from Game of Thrones) as Offshore Installation Manager Magnus MacMillan, the program is set aboard the deep-sea drilling platform Kinloch Amazon StudiosBravo as the crew is about to rotate off after a long hard period of working the rig. However, tensions among between among crew between each other and between a representative of the Corporation, Rose Mason (Emily Hampshire) are pushed beyond the breaking point when a series of unexpected and inexpiable events isolates the platform, trapping everyone aboard.

With a large cast The Rig presents the complex, dynamic, and potentially explosive setting of overworked and scared people isolated from all help as they confront dangers without precedent.

Amazon Prime presented The Rig in the ‘binge model’ of distribution, making all six episodes of the premier season available on release. However, neither I nor my sweetie-wife enjoy the full-on a binge and as such we have watched only the first episode. Given that I can properly review an incomplete story I will recount my impression of its opening.

Among the characters populating the series is Fulmer Hamilton (Martin Compston) whose romantic relationship with Rose creates friction and fears of favoritism among the rig workers, Lars Hutton (Owen Teale) a fierce and suspicious rig worker whose distrust of the management and corporation is not utterly unfounded, and Alwyn Evans (Mark Bonnar) the human resources officer caught in the middle of the disintegrating morale.

Filmed entirely in studios in Scotland the series boasts a UK cast with the accompanying array for accents. The digital effects recreating the open seas and the exterior of the platform are most serviceable with only a few shots that have an uncanny unreal valley to them, but they are not enough to shatter the illusion.

I am intrigued enough to continue watching and have hopes that the season will be worth the watch.

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Greg Bear Has Left

Greg Bear Has Left

Following complication from surgery, SF author Greg Bear passed away this weekend.

I have read many but not all of his works and found his writing to be clear, smart, and entertaining. Twice I had the pleasure of exchanging a few words with this noted writer, both times at room parties at conventions.

The more humorous chat concerned his novel Anvil of Stars in which a human ship with alien assistance is one a quest to discover and destroy the civilization that annihilated Earth by completely shattering the planet. Being of quite limited means at the time I had purchased my copy of the novel from a used bookstore. (Let us now also mourn the passing to Adamas Avenue Books as well.) Shortly after the characters have launched their won civilization ending vengeance the next several pages confirmed if they had in fact correctly located the guilty party. The several pages that were in fact missing from my copy.

I relayed this to Bear, and he responded with a jesting tone that’s what I deserved for cheating him out of a royalty.

As I said it was in jest and he laughed as he pronounced my sentence. From panel discussions and those who knew him Greg Bear seemed a thoughtful, considerate, and good man. He will be missed.

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Series Review: ANDOR

 

First off let me say that posting will be light here for the next few months. I work in the enrollment department of a Medicare Advantage Health Care company and there will be hours and hours and hours of overtime work during this Annual Enrollment Period. Now, onto the review.

Andor is the Disney + series fleshing out the backstory of the character Cassian Andor see in the feature film Rouge One: A Star Wars Story. When the series was announced I was less than enthused and frankly rather skeptical. Cassian was mildly interesting in the film, which I enjoyed, but I felt no burning desire to know him better. When the cast list was released and it was clear there would be no return of everyone’s favorite sassy droid, K2SO, my interest in the series fell even further. With the bland and disappointing The Book of Bobba Fett I very nearly skipped this show.

I am so glad I did not.

Andor is the gritty, morally ambiguous story of the birth of the rebellion and Cassian’s recruitment into it. This is not a redressed fairy tale with knight, wizards, mysticism, and farm boys. Instead, we are dropped into a space opera world that is all too familiar to us. Cassian is a petty criminal, surviving on the edges of the Galactic Empire by selling stollen equipment. The

Disney Studios

oppressive fascistic empire is everywhere and callus in its disinterest towards it subjugated population. The resistance is fracture between zealots, politicians, and thieves. The Intelligence Bureau is a pit of backstabbing careerists, but some are intelligent and talented, presenting a far more real and recognizable threat than cartoonish villainy. The prison labor, its injustice and cruelty, is familiar to anyone with passing knowledge of reality’s greatest incarcerator.

Despite the startling white set, the clean rich apartments of its elite characters, Andor has a very noirish feeling to its story. Again and again characters are forced to compromise their personal morals on the altar of the ‘greater good.’

I adore this series with its rich characterization, its willingness to abandon ‘heroic’ tropes, and get its hands dirtywith the nasty, ugly, violent, and degrading business of revolution.

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I Failed My Players

 

Saturday Afternoon/Evening I ran my Space Opera TTRPG for my dear friends and sadly my brain betrayed me, and I achieved none of the tone or mood I has hoped for.

It was not a lack of preparation. I had worked my spreadsheets and gotten all the data collected I would I need, I wrote up an outline of the adventure, the characters, and the goals.

(A brief word on the spreadsheets. Space Opera from FGU came out in the 80s and is a very computation intensive game. Now, in the second decade of the 21st century I have crafted 9 spreadsheets to track the dates, the training, the distances traveled, the fuel used, and many other factors. I am quite proud of these sheets.)

However, when I got to the game, my brain failed completely. I was unable to sequence events properly and barely remained coherent as I ran the session. I ended the session early — was particularly disappointing as we had an unavoidable late start — and barely made it home awake.

I don’t know if it was a rejection, I received earlier in the week that had undermined my morale or a lack of good sleep due to apnea mask issues or some other factor, but it really hurt my weekend. Even more than the migraine I suffered the next day.

I shall have to make sure to not repeat this piss poor performance. I care too much for my players to want to ever have that happen again.

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The Shared Fantasy Element of Star Wars & The Moon is a Harsh Mistress

 

On a surface examination it would seem that the pop space fantasy Star Wars and the ground hard sf novel The Moon is a Harsh Mistress would have very little in common. One is a fairy tale quest reimagined in a galaxy far away taking place long ago while the other is retelling of the American Revolution set on a lunar penal colony.

Both are concerned with the overthrow of a cruel dictatorial government, one a cartoonishly evil emperor the other a multinational penal system condemning the guilty and the innocent.

But both works have a fantasy element in common, an unbelievably restrained set of revolutionaries.

Revolutions eat their young is a common sentiment. In reality, all too often after a successful revolution and the old guard is turned out, usually fatally, the next most common occurrence is the revolutionaries turn on each other. Divisions that had been set aside as they fought a common enemy resurface and what starts as disagreement turns quickly into violence and assassination.

It often takes a stiff spine and stomach to throw a revolution and it’s very easy to drift across the line from moral action into ‘the ends justify the means.’ After that the will to perform ‘questionable’ acts to win is easily turned against former allies.

In both Star Wars and The Moon is a Harsh Mistress the revolutionaries are upstanding characters that never got their hands truly dirty. The Empire is toppled and it is all just flowers and puppies and a new Republic is born.  In Moon Manny and his conspirators tried to rig the government so that they remained in power but lacking the blood methods usually employed to neutralize former allies they found themselves outmaneuvered and despite their intent an independent government formed.

I got thinking about this because the newest Star Wars television series Andor is gritty, grey, and morally dark.

I love it.

Andor feels real. It feels like the hard choices and nasty work of throwing a revolution. It flies directly opposed to the fantasy revolt of Star Wars and luckily for continuity it will never reach the post revolution period, but until it ends, I plan to be along for the ride.

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Spooky Movie 5: Godzilla vs Mechagodzilla (1974)

 

To lighten the mood following the masochistic demons from beyond in Hellraiser I watched, along with my sweetie-wife, 1974’s Godzilla vs Mechagodzilla.

Released near the end of the ‘Shōwa’ era, 1954-1975, Godzilla vs Mechagodzilla is the 14th film in the franchise and pits the now heroic kaiju monster against am alien robotic duplicate.

In apparent accordance with an ancient prophesy that a monster will come to destroy to world Godzilla reappears and unlike his more recent heroic turn, once again cuts a path of destruction across the Japanese islands. Simultaneously two teams of scientists, a hard-science specialist, and an archeologist, chase down clues to recent events while shadowed and threatened by mysterious agents, some of which turn out to be another vanguard of invading aliens and INTERPOL officers. With the arrival of the OG Godzilla, the imposter is revealed to be a cyborg Toho Studiosconstruction of the aliens. Mechagodzilla is more powerful than Godzilla that is until the correct interventions by priests, princesses, and the scientists. As with all the 70’s Godzilla movies the film’s resolution is never in any doubt and one does not watch kaiju movies from this period for suspense and dramatic turns, but instead for several men in outrageous costumes throwing down on a set filled with miniature mountains and buildings. Shōwa era Godzilla films, save the original masterpiece, are a fun guilty pleasure. I remember being quite disappointed when Godzilla vs The Smog Monster player at the local drive-in and no one in my family had the slightest interest in going. (I did eventually, only a few years ago, see the film and it is truly one of the weirdest Godzilla movies.) Godzilla vs Mechagodzilla will never listed as a great work of cinema nor is it every frightening, but it makes for a perfect light distraction during the more intense fare of the season.

Godzilla vs Mechagodzilla is currently streaming on HBO Max.

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Another Novel Completed

 

Yesterday marked the final corrections and updated to my latest Seth Jackson military SF novel. Seth’s an American serving in the European starforces in a future where the United States took a wrong turn in the early 21st century and became a third-rate power.

In some form or another the character of Seth Jackson and the setting has been with me for 25 years, originally taking up residence in my brain about 1988. I have written him and characters around him in short stories and in novel, none of which have yet been published, but hope springs eternal.

The previous Seth Jackson novel got very nicely complimentary rejections from publishers, with no two editors agreeing on precisely what it was about that novel that didn’t work for them. That was encouraging for me. If they all or even most agreed on the fault then it was likely an actual failing in the text but with each having their own reaction it becomes much more about personal preferences.

One editor commented that she really liked the central character and when I started this novel I had hopes of submitting it her first. Sadly, for me not for her, she has now retired from the industry enjoying a well-earned rest.

The novel clocks in at 100,000 words which was the target length I had aimed for. it also represents the first time in this setting where I have written points of view from the ship’s chiefs, which I found to be much more fun to write than the officers.

Now comes the part of the process that I, along with many other authors, despise. The shopping it around. Creating query letters, trying to change my hat from creator to hype man, a role for which I have never been well-suited. I could not sell water in the Sahara.

Whinging about it will not help. Time to do the work that is not fun.

A gentle reminder that I have my own SF novel available from any bookseller. Vulcan’s Forge is about the final human colony, one that attempt to live by the social standard of 1950s America and the sole surviving outpost following Earth’s destruction. Jason Kessler doesn’t fit into the repressive 50s social constraints, and he desire for a more libertine lifestyle leads him into conspiracies and crime.

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I am Participating on Panels For LosCon

 

LosCon is the Los Angeles area science-fiction convention held over Thanksgiving weekend. (This year November 25th thru the 27th.) Finally, after two years of COVID I am returning to Loscon one of my beloved conventions and this year I will be participating on 4 panel discussions.

I will be moderating Everything You Need to Know About Editing Saturday at 10:00 am.

I will be a panelist on Finding Your Own Voice in Writing. Also Saturday at 5:30 PM

Sunday at 11:30 am I will moderate How to Write for a Specific Genre

And I will conclude my panel discussions moderating What the Publishing Landscape Looks Like Today 2:30 on Sunday.

If you are in the L.A. area, I urge you to attend. LosCon is fun and I have missed it terribly.

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My Novel Vulcan’s Forge

March of 2020 saw the publication of my SF/Noir novel Vulcan’s Forge by FlameTree Press. Sadly, being published the week the world goes into shutdown for a once a century pandemic did nothing for the book’s sales. Still, I believe in the book and for those who are interested here’s some things about this novel.

Deep Backstory

By the end of the 21st century advances in computer sciences produced true artificial intelligence, along with automated manufacturing, advanced 3D printing, and practical fusion power. Instead of ushering in a period of expansion these technologies became the means by which humanity survived a planetary cataclysm. A rouge brown dwarf drifting thru interstellar space was discovered with a trajectory that carried through the inner solar system, disrupting all the rocky planets and close enough to eject Earth from the solar system.

Humanity launched solar sail arks carrying sperm and egg cells, fully capable artificial intelligences, and automated manufacturing equipment to save humanity by planting it on scores and scores of target worlds throughout the local stellar neighborhood. Due to the advanced technology and manufacturing techniques the cost of an ark was low enough that private groups, religious organizations, and loose confederations could launch one to preserve their culture and people.

Vulcan’s Forge takes place on a colony, Nocturnia, whose founders were fixated on racially diverse urban Americana of the 1950s. Like all who become focused on nostalgia their view of the past was not entirely historically accurate but rather a more romanticized and idealized view of that period in American history.

The Story

Jason Kessler helps create the social and cultural norms of Nocturnia by carefully curated film and television preserved in the digital storage of the ark that founded the colony. However, Jason himself find the conformity and repressed sexual mores of his colony stifling, not wishing to marry young and produce a brood of children to re-populate the species. He would rather

Flame Tree Publishing

enjoy to banned films labeled ‘anti-social’ and live a life of pleasure, but the colony’s surveillance and enforcement of their morality makes this impossible.

When Pamela Guest sweeps into Jason’s life everything changes. Contemptuous of Nocturnia’s morality and seeming immune from its enforcement Pamela introduces Jason to the possibility of everything he had ever dreamed about doing and wanting. Jason also learns that there is a secret criminal underworld to the colony and soon he and Pamela are fighting to survive as darker conspiracies than mere criminality threatens Nocturnia.

As a traditionally published novel Vulcan’s Forge can be ordered from wherever books are sold. I am including links to San Diego premier specialty bookstore Mysterious Galaxy along with links to Amazon.

I am also including the YouTube video of myself reading the novel’s prolog.

Mysterious Galaxy Paperback

Mysterious Galaxy eBook

Amazon Paperback

Amazon eBook

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Thoughts on Heinlein’s Starship Troopers

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One of the most divisive science-fiction novels published is Robert A. Heinlein’s Starship Troopers. Written as one his juvenile novels it was rejected out of hand by the publisher and immediately upon publication by another house stirred intense political debate that carries on to the present day. My meager thoughts in no way will settle this argument and for those firmly fixed in their camps nothing will dislodge them.

Troopers posits a future where humanity has spread out to the stars following some war with itself that left in its wake a unified government ending unrest and ushering in a period of

G.P. Putnam’s & Sons

prosperity. The political system of this unified government is a democracy, but one where the right to vote and run for office, the civil franchise, is restricted solely to those who have served in the armed forces.

This ‘only veterans’ franchise is often labeled by the novel’s critics as ‘fascist’ and a system of military rule. While I think the system proposed actually would never work in practice and the author hand-waved his way past serious political and practical issues, both critiques miss the mark.

Fascism has no simple, agreed upon definition. It is often hurled as a charge towards a political system, movement, or person that someone intensely disagree with. The left hurls it at the right and right throws it back. Setting aside the definition of childish tantrums, to me Fascism is a species of the political right, obsessed with a distorted and false view of history, former ‘glory,’ centralized authoritarian government, and most importantly of all the philosophy that the individual’s only value is what the state can extract from them.

The novel gives very little to no description of the culture surrounding its political system. What little history that is presented is fed to the reader as exposition to explain the political system and how it arose with nothing that glorifies some idealized historical vision.

Equally unexplored is the actual details political system. We know that military service is required for the franchise and that active-duty personnel do not have the vote but how centralized is thew power is a question that is never addressed. The closest the reader comes to understanding the culture and the government is the barbaric punishment of flogging is a common judicially ordered punishment. This predilection for cruelty as punishment is the most fascistic aspect of the novel’s setting.

Many critics point to required military service as a fascistic aspect, but I think it doesn’t meet that criterion. Fascist regimes such a Fascist Italy or NAZI Germany treat the people as something that had an obligation to the state. An obligation that could not be refused. Their service to the state was something required not chosen. The system in Starship Trooper is an inverse of that philosophy. Service is given, always at the choice of the person, and in fact the novel gives the impression that people are dissuaded from choosing to serve as more than one character attempts to talk to the protagonist out of volunteering. This plays into the novel’s philosophy of graded level of morality and I’ll speak to that and its error later in the piece. The core central issue here is that in a fascist setting the power is with the state, a state that compels service and here the power is with the individual choosing to serve.

One of the novel’s many exposition heavy scenes also display the frantic handwaving to make this political system work. An instructor asks the class why does the system work and after the students offer possible answers based on the limitation on the franchise, better people, chosen people, and so on, the teacher simply answer it works because it does. Utterly circular logic. It works because the author wants it to work.

Elsewhere in the work it is put forward that there are levels of morality with morality defined as the willingness to put oneself in danger for a goal or purpose. The lowest and most base level is self-interest. ‘I look out for number one and no one else.’ The system then progresses through family, friends, and loved one with the ‘highest’ level of morality being expressed when someone serves and risks all for their community.

Heroic self-sacrifice is a common trope in adventure fiction and something that is nearly universally admired. We need to look no further in the genre than Spock’s solution to Kobayashi Maru test in The Wrath of Khan to see this presented as noble. That said it, in my opinion, is a lousy system to base your politics upon.

The logic in Starship Troopers is that those who volunteer to place their lives on the line by serving in the military are exhibiting a ‘higher’ level or morality and thus are ‘worthy’ of the franchise and political power. This is flawed for several of reasons.

First, while the novel goes out of its way to make clear that no one can ever be denied the chance to serve it is also clear that military discipline is in effect and people are ‘mustered out’ of the service and thus forever lose the chance to exercise the franchise. That means on a practical level the military while forced to accept every as a recruit can still eliminate anyone it does not want to have the franchise. It is far too easy for a military to expel members to use service as a qualification for the franchise.

Second, it presumes the motive for joining the military is a desire to serve. This ignores the possibility of enlisted to learn a trade, experience adventure, escape an unpleasant home, or even to live the thrill of combat and killing.

Another reason this is a terrible idea is that it sees the only meaningful way to serve your community is by way of the military. Teaching, local services, research, and healthcare, the last having its own unique dangers all too well know with the current COVID pandemic, are all ways to place your own needs second to your fellow citizens’.

While I cannot agree with those who hurl ‘fascist’ at the novel’s philosophy, nor can I endorse it. Between handwaving and some very broad and simplistic assumptions it simply ignores the world as the way I have experienced it working.

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