Category Archives: Science and Technology

Vernor Vinge, Rest In Peace

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I do not often post about the passing in notable people here. While there are artists of all arts that I enjoy, admire, and are fans of, I rarely feel any great emotional tug when they pass. Losing a parent at a young age can impress upon you with great force the truth that everyone dies.

I do want to make a note of the passing this week of SF author Vernor Vinge. He was a celebrated author, often credited with popularizing the concept of the technological singularity, the point where advancements in technology change humanity so completely that what exists on the other side is incomprehensible to those before the event. The reason I am making this post is not because of his talented writing, his impact on the field, or even his influence on the wider culture but because I had the good fortune to have met him on a few occasions.

I cannot say I knew him. Sharing a few panels at local SF conventions is not enough to truly know a person, but I was acquainted with Vernor.\

He was a kind man, a local celebrity who did not throw that weight around at conventions. Even away from the dim spotlight of small local conventions he remained a friendly and approachable person. Our paths crossed at San Diego’s airport once as he was flying out to an eclipse and my sweetie-wife and were departing for a convention. The time we shared before boarding our flights was pleasant and affable.

It is strange, perhaps, that such a kind and seeming decent man created one of the most chilling and evil cultures in literature. The Emergence from A Deepness in the Sky and their viral form of slavery frightened me in a manner rarely found from pages of text. The book and those villains were so compelling that I was unable to resist reading it on the bus home from work, despite the intense motion sickness reading on a moving vehicle provoked.

Vernor was talented, kind, and he will be missed.

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From Soulless Monstrosity to Nerd Rapture

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Star Trek: Strange New Worlds‘ reinterpretation of legacy characters from the original series has certainly intrigued me. I find I am most fascinated by the new version of Nurse Christine Chapel. Jess Bush’s portray of this Christine, along with a more detailed and varied backstory and motivation has placed her as one of my favorites in this new series. No slight to Mrs. Barrett-Roddenberry, she was given precious little to work with in the original series. Beyond pining for Spock her role possessed no character.

Except of course for episode eight, or seven depending on how you count them, season one What Are Little Girls Made Of?

CBS StudiosFirst aired in October of 1966 the episode centers of the Enterprise searching for the lost humanitarian scientist Dr. Roger Korby, coincidentally the fiancé to Christine Chapel. It is revealed that Korby has discovered the ruins of an ancient and now vanished civilization and from their remaining technology can produce android nearly indistinguishable from humans. He has a nefarious plot and by the end of the episode is defeated and revealed to be an android himself. Fatally injured he had used the technology to transfer himself into a mechanical body a process with which he expected to create practically immortal humans. Kirk and Christine are horrified by the revelation that Korby had been a machine the entire time. When Spock arrives with a rescuing security team Kirk informs him that ‘Dr. Korby was never here.’

It is an interesting question when did our attitude toward ‘uploading’ ourselves into machines change?

What Little Girls are Made Of spends no time debating if Korby is in fact still Roger Korby. Once it is shown that he is a machine his pleas that he has remained himself fall on the deaf ears of Kirk and Chapel. The premise of the episode is that his actions, plotting to replace people until his android society is too advanced to resist, are accepted as proof that he was never Korby ignoring the simple fact that people change. Or that five years of isolation can unhinge even the strongest of minds. Only the fact that he is a mechanical machine instead of a biological one is enough to ‘prove’ he was never Korby. A machine person will always, at that time, be regarded as a soulless monstrosity.

Today the concept of ‘uploading’ yourself into a tireless and immortal machine housing is pretty much a technological rapture, a promise of eternal, blissful life for the those with faith in the Disney Studioslimitless capability of the computational sciences. In Captain America: The Winter Soldier neither Rogers nor Romanov, or the audience for that matter, question if it really is Dr. Zola addressing them from the vast computer banks at the end of the film’s second act. It is simply accepted that with advanced enough super-science of course a person, the entirety of them transferred into another receptacle. Zola’s monstrosity was a product of who Zola was and not from the mechanical nature of his afterlife.

I wonder when did that state change occur in out collective thinking? When did we accept that it is our memories and sense of continuity that defines the ‘real’ us?

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Series Review: Light & Magic

Disney+ unveiled a new documentary recently Light & Magic a series exploring the history of the groundbreaking special effects house Industrial Light & Magic (ILM.)

Founded because no studio effects department was capable of meeting Lucas’s vision for his upcoming space opera Star Wars, ILM quickly became the industry’s premier special effects

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company, producing the special and visual effects not only for Lucasfilm’s productions, Star Wars, Indian Jones, but also the company others turned to when they needed outstanding effects for their films.

While it is important to remember that this documentary series is produced by a studio closely tied to ILM and its products and therefore cannot be considered unbiased there is at least some dirty laundry and less that admirable moments shared in the show. The episode steps us through ILM’s life chronologically from its founding as a rag tag group of artists who dared not dream of real cinematic heights to the creation of the defining effects of our time, CGI.

Light & Magic streams on Disney+.

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Science and Science Fictional Thoughts

Recently, I’ve been thinking about star and star system formation a lot.

The basics, I understand it, runs something like this.

1) A large cloud of gas, the remnants from previous stellar explosions, begins collapsing under its gravitational attraction.

2) Angular momentum spins faster compressing it into an accretion disk. In the disk denser clumps begin gathering and forming the seeds of planets.

3) Most of the cloud is pulled to the center forming a massive body whose center becomes more and more compressed raising the temperature.

4) When the temperature and pressure get high enough the star ignites and blows out the last vestiges of the cloud. Leaving a star and forming planets.

I have questions.

As the cloud compresses into a star but before fusion starts hoe dense does that gas get? Do we get atmospheres of pressure reaching from the core out to the orbital distances of the future planets? Would it be dense enough for aerodynamic forces? Do we potentially have dense enough gas that there is effectively an atmosphere between the soon to be star and it’s forming planets? Could electric charges build up in this massive cloud producing planet-sized or large lightning bolts?

When the fusion starts how fast is that process? Is it thousands or millions of years between ignition and having a star or is much shorter and explosive? What sort of pressure is generating in the remaining cloud as a blast wave that sweeps through the emerging star system?

Welcome to the late-night thoughts of a science fiction writer.

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Pluto and Our Sexual Politics

16 Years after its reclassification as a minor-planet discussion of Pluto as a planet can still kicked off spirited, heated, and intense debate. The faction that defies the International Astronomical Union’s classification in 2006 can be quite passionate about Pluto’s status as a planet even though the vast majority of that group are not astronomers or scientists. By and by they are laypeople and Pluto’s status as a planet or minor planet makes no material difference in any of their lives. Their paycheck, home equity, or personal freedoms are utterly unimpacted by the IAU’s decisions and declarations and yet they can be most vocal in defending that ‘Pluto is a planet!’

Of course, they never researched, observed, or studied Pluto. As children that learned that the Solar System has nine planets and talk of Kuiper Belts, or Trans-Neptunian Objects is uninteresting but the fact learned in grade school that there are nine planets these are their names became a foundational fragment of knowledge and something that undercuts something learned so completely as a child is on some level unsettling. Even if that fact has no bearing on their self, identity, or well-being.

A key simplistic fact we all learn as children, and one that is essential to many in their self-identification is that people are either boys or girls. There are no other categories, and like Pluto’s status as a planet, there is no doubt in the classifications, the declaration is the definition.

Unlike the debate surrounding Pluto the boy/girl classification is critical to many people’s sense of self. The classification of either girl or boy defined the roles one is expected to assume, the course of one’s life, the goals and objectives ones is expected to pursue, and can dictate everything from the clothing someone wears and the words they use to the nature of their loves and bonding commitments.

Is it really surprising then when the simplistic worldview imparted to children is redefined with new and enlarged with concepts such as trans or non-Binary that these expansions are met with fierce resistance, a resistance that is no more grounded in ‘fact’ or ‘science’ than those insisting that Pluto remains a planet simply because they were told this as a child? Particularly when so much of what so many people think of as their self-concept is tied to those first formative years when their classification was given and the course of their life ‘determined.’

None of this excuses the hatred, persecution, and prejudice that is heaped unjustly upon those who do not slot neatly into childish categories. To insist that everyone must live wholly within a category of either boy or girl with hard impermeable boundaries is as rational and defying of reality as to insist that that every has either Black hair or blond ignoring that everything nature does is a continuum, a spectrum, and the difference between girl and boy is as slippery as the difference between planet and not-planet.

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Genre Blender

 

Genres are cool and useful guides to what a story is about. If I tell you a story is a horror you know that you should feel tense and unsettled as it unfolds and perhaps even after it is over. If it is a romance, you will hopefully feel joy and fulfillment by the end. When two genres are combined then something truly wonderful and magical is possible. Alien the movie that launched countless imitations artfully blended science-fiction with horror, it was by far not the first to do so but its unparalleled quality elevated it above the material that had come before. My own novel Vulcan’s Forge is a combination of colonial science-fiction and 40s styled film noir.

I have started in on a short story blending two genres that are wildly different and I hope I have the skill to pull it off even halfway decently, forward-looking science-fiction and tradition oriented folk horror.

Folk horror is a sub-genre of horror fiction that fixates on isolated usually rural setting and communities where the old ways are not only now forgotten but are usually embraced and practiced with zealotry. Where strangers confronted with unknown customs and filled with derision for these communities often meet untimely fates. A perfect example of this style of horror and one of my favorite films is 1973’s The Wicker Man.

I think science-fiction, with its emphasis on the new, the novel, and the future makes for an excellent contrast with folk horror with its dedication to tradition, custom, and the wisdom of the past. I hope I can do justice to moth forms.

 

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Potentially Amazing Good News

 

Running a little late this morning but I do have some public health news to share that is potentially amazing.

The fight against the global pandemic of COVID-19 sped the development, testing, and eventual approval of a new approach to vaccines, using messenger RNA to have the body produces elements of the target virus to train the immune system for when an actual infection arrives. This is the basis for the Pfizer and Moderna vaccines which are proving to be so gloriously effective. The basic science and technique of using mRNA for a vaccine approach has been in

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the works for many years, basic science funded by government grants with an eye to many deadly viruses that we haven’t yet produced a vaccine for.

In a press release yesterday Moderna announced that it has two mRNA candidates, mRNA-1644 and mRNA-1574 that is plans to advance for phase 1 trails this year as potential vaccines for HIV.

Now there is a lot that can go wrong between here and approval and even if it doesn’t this will be a long road if for no other reason that large scale efficacy on a disease that progresses so slowly will take lots of time but this is a glimmer of the dawn of a new day, not just against HIV/AIDS, which still kills far too many people around the globe, but also for the fight against so many other tricky, nasty, viruses out there still out to get us.

 

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