Category Archives: History

Even More Spooky Season: Pickman’s Model

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Pickman’s Model is episode 5 of Guillermo del Toro’s Cabinet of Curiosities the anthology horror series produced by and streaming on Netflix.

Netflix Studios

Adapted from the short story of the same title Pickman’s Model is presented from the viewpoint of Will Thurber, (Ben Barnes) after he encounters in is art class Richard Pickman (Crispin Glover) a talented artist but whose paintings and drawing unsettle the viewer with their grotesque imagery. Thurber flees from Pickman after having been granted a viewing of the artists more private work and for the next twenty years seeming builds a normal life, but plague by nightmares induced by Pickman’s ghastly talents. Thurber’s world crashes when Pickman returns to his life with a planned public exhibition of his work.

Screenwriter Lee Patterson and director Keith Thomas while deviating in large measures from the source material have produced the most compelling and interesting adaptation of Lovecraft’s short story. A persistent and failed by most filmmakers challenge is depicting Pickman’s art. Particularly in an age where all manner of gruesome brutality is depicted not only in entertainment but the evening news it is nigh impossible for any film to present paintings as unsettling as what is described in the short story. Thomas avoids this trap by a couple of tricks, first never giving us a full dead-on look at the art. We see the images in shaky flashes and fragments, not in a static whole shot. Second, with clever lighting and small nearly subliminal changes in the art from moment to moment we can never be precisely sure what it is we see and what is some trick of the light. I found the presentation of ‘unnatural art’ as well depicted as in Gilroy’s Velvet Buzzsaw another fantastic piece of art inspired horror.

The performances, carried expertly by Barnes and Glover, are spot on and while depicting well-known character types never descend in tropes. Crispin Glover, donning a regional accent that avoids being overly broad, is perfectly placed as the disturbed artist Pickman.

Pickman’s Model is a perfect addition to this year’s Spooky Season.

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The Current War in the Middle East

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I have not a lot to say about the matter because I am fully aware of just how little I know, how little I understand, and how terribly complex the entire situation is. I have not the arrogance to presume the wisdom to proscribe solutions. I am as Theodoen when in the film he utters ‘What can men do against such reckless hate?’

To my eye there is no doubt that injustice has been perpetrated by all involved parties, and it is equally clear that not all injustices are anywhere close to equal.

Because one side in a conflict is evil or commits evil does not absolve its opponents or elevate them to be ‘good.’ Evil committed remains evil.

It does seem to me that both sides are trapped by the delusion that they can with acts of cruelty, vengeance, and malice ‘break the spirit’ or their enemies. This is such a rare occurrence as to be nearly unheard of. The Blitz did not break the British, nor did indiscriminate bombing break the Germans. Even in the face of Atomic horrors the Japanese people would have continued to fight, their spirit had not been broken, only a rational judgement by some their leaders and their Emperor summoned up the courage to surrender. Atrocities will not break the Israelis and cruelties will not break the Palestinians. We can only hope and work for the day when rational reasoned judgment finally brings a lasting peace because peace is never won by punishing vengeance.

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The Real-World Trolley Problem

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With the release of Oppenheimer, the debate, one that will never be resolved, over the atomic bombings of Hiroshima and Nagasaki have once again become more active.

Pondering these issues for an uncounted time it struck me that these bombings and the decision to proceed with them are a real-world example of the famous philosophical ‘the Trolley Problem.’

The Trolley Problem posits an out-of-control streetcar hurtling down a track. The car cannot be stopped and without any action taken will strike and kill five pedestrians. However, if a switch is thrown it will go onto a different track where it will kill ‘only’ one person. The unresolvable question is which is more ethical to do nothing and allow five to die or to take an action with intent that will kill one?

World War II in the Pacific is the out-of-control trolley. It will kill people until it is ended. The course of the war prior to August 1945 supports the assumption that an invasion of the home island will result in massive loss of life for both the invading allied armies and the Japanese population. One can argue that a demonstrate display of the atomic bomb might have prompted an unconditional surrender, but a counter-factual cannot be proven and even after two cities had been struck with the terrible weapons the militarist faction wanted to continue the war. One can also argue that the requirement that the surrender be unconditional could have been dropped to end the war, however the United States was not the sole combatant allied against the Empire and it is doubtful that the Chinese would have settled for a conditional surrender. These other histories remain counter-factual.

On the other side it can be argued that the Invasion of the home islands may not have caused such horrific casualties as the level of starvation already striking the populace would have prompted a total collapse. Again, a counter-factual cannot be proved and the actions shown earlier in the war displayed an almost unimaginable resolve by both the armed forces of Japan and its people.

The conclusions debating if the bombings were justified, if they were an evil, if they saved more lives than they cost, all depend on the counter-factuals accepted as given and the ones rejected as unsupported rendering the debate not only unresolved but unresolvable. Not matter where you stand on the issue just be aware that you stand on counter-factual interpretations of the war, and no one has a lock on the ‘truth’ of what would have happened had events proceeded differently.

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A Tragic BroMance: The White House Plumbers

HBO Studios

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The HBO limited series The White House Plumbers focuses not on the Oval office nor the exhaustive work of the reports who uncovered and revealed the Watergate scandal that ended Nixon’s presidency but rather on the low=level operatives that burgled and spied for the Committee to Re-Elect The President, with particular attention to the flowering and then dying friendship between the G. Gordon Liddy (Justin Theroux) and E. Howard Hunt (Woody Harrelson).

Plumbers is more their story, their meeting, their close and powerful bond, and their eventual falling out which resulted in decades of stony cold silence between the men. It is four episodes of fairly accurate historical farce as bungling bumbling incompetence generates farce that could only have happened because fiction requires believability and history only required reality followed by a fifth episode of Greek tragedy where hubris and flaws destroy the men and utterly transforms the nation.

In addition to Theroux and Harrelson, both turning in fantastic performances, the series boasts a number of talented and amazing performers, Kathleen Turned coming out of her medical retirement to steal an entire episode, Lena Heady as the only real brains of the operation as Hunt’s spook spouse Dorothy ‘Dot’ Hunt, and Irish actor Domhnall Gleeson as the ever-slippery John Dean.

Paired with a companion podcast that not only interviews the creatives behind the series but also illuminates what was historical and what was dramatic, The White House Plumbers presents an under seen and covered aspect of the scandal that destroyed Nixon’s administration shattered that last fragment of a nation’s trust in its institutions. Well worth the five-episode commitment the series reveals that history can be shaped not only by the bold and the brave but also by the stupid and the fanatical.

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Movie Review: Sisu

Subzero Film Entertainment Stage 6 Films Good Chaos

 

The words Sisu is Finnish and denotes a grim determination in the face of overwhelming odds. It combines stoicism, perseverance, and making the most of limited resources to struggle to the very end without surrender. Developed as a concept during Finland’s 1939 bitter war with the Soviet Union it has become an element, a proud one, of the Finns national character.

Sisu is also a 2023 Finnish action movie now playing in theaters.

Set in the Lapland region of Finland during the closing months of the world war II, Sisufollows Aatami Korpi (Jorma Tommila) a former Finnish special forces commando and now gold prospector. Having discovered a ludicrously rich vein of gold Korpi is beset by retreating Nazi soldiers evacuating to Norway following Finland’s separate peace with the USSR. Naturally the Nazis attempt to steal the gold and murder Korpi and his little dog sparking an hour and a half of bloody, gory, revenge, (Don’t fret the dog is fine.) as Korpi slaughters Nazis and frees women that they have taken as sex slaves.

Despite the gore, the dismembered limbs, the clouds of blood from exploding Nazis I describe Sisu as cartoonish violence. This is not a feature you attend with an eye towards realism. Reality visited screenwriter and director Jalmari Helander, glanced at the script in progress, and took its leave. At no point in the movie did I have the slightest doubt to Korpi’s eventual triumph. It simply isn’t that kind of flick. This is a movie where you leave your higher logical functions at home and revel in the inventive slaughtering of fascists. If you have a delicate stomach or suspension of disbelief, then this movie is not for you.

Helander directs Sisu with a firm solid hand aided by cinematographer Kjell Lagerroos’ stark yet beautiful capturing of Lapland’s desolate beauty.

Sisu is not for everyone but for those that it is for it should strike a very pleasant nerve.

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Quick Thoughts on the Leaker SCOTUS Draft

First off let me be plain, I am pro Choice on the issue of abortion. There are lots of arguments why but one I see too little of that to me is hugely determinative is that giving birth is life-threatening, particularly in the American health care system, especially so for people of color and poor economic resources. The decision to rick one’s life should only rest with the person whose life is being risked.

Alito’s leaked draft opinion is some 98 pages long and my summation of his argument will be both reductive and from a non-lawyer’s perspective. From what I can determine listening to sources both left and right his basic argument flows like this.

Abortion is not specifically named as a right in the constitution.

The constitution does protect right which are not specifically named. (The 9th Amendment.)

To determine if something is an unnamed right one looks to history and tradition as it was understood at the time of the 9th amendment and the 14th. (part of the legal dismantling of slavery following the civil war.)

In Alito’s view abortion was not part of the history and tradition of accepted rights in either the 18th or 19th centuries, therefor it could not be counted among the unnamed rights of the 9th amendment nor among the privileges and immunities of the 14th.

Given that Alito concludes that there is no right to abortion and at the time of the leak has persuaded four other conservative justices to agree to this reasoning, terminating, for the first time ever in American history, and individual right.

To me there are several philosophical troubles with this reasoning.

First it presumes that the unnamed rights of the constitution are a close set, limited in number, and restricted to only what could have been conceived of at the time by while male slavers. Rather than interpreting the galaxy of unnamed right to be an evolving set matching culture as it changed it is a static set but one without any definition to guide future person in that determination.

It relies upon reading minds, from a distance of more than two hundred years, of men who recognized no rights for women in self-determination to adjudicate the rights of people in the 21st century.

It presumes that the men who wrote and adopted the constitution were so limited in their minds and imagination that they were incapable of conceiving of rights not yet considered by history and tradition.

There is a school of thought, generally conservative, that rights are not granted by governments but rather recognized by them and that their true source is a divine power. But if you accept this theory on the source of rights then Alito’s opinion is even more insane. Alito is then saying though God, all knowing throughout all time, imbues people with rights he was incapable of granting rights fallen humans were unable to think of in 1789 or 1868.

In my opinion Alito conclusions, and the agreement of his fellow justices, is nothing more than highly motivated reasoning. This is something I have seen in my past time, tabletop gaming. A player has a predetermined conclusion that would benefit their game and suddenly the interpreting of rules becomes quite fluid and twisted logic is employed to arrive at the desired outcome. The conservatives want to overturn Roe and the method of getting there matters very little. As it has been said on one legal podcast the vibe is very much ‘Stare decisis is for suckers.’

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Why The West Must See Ukraine Victorious

 

First off let me make clear there are numerous reasons why the Russian aggression in Eastern Europe must be repelled and repelled without Russia gaining material benefits from invaded its neighbor.

Aggressive wars of conquest must have consequences and that must be uniformly negative, or we invite other nations to follow in that profitable lead.

The horrors that have been visited upon the Ukrainians, which echo the history of the 20th century, must be answered. Ukraine was forcibly integrated into the communist empire by the Russian Bolsheviks and suffered greatly as subjects of the evil soviet empire as well as Nazi atrocities during the second world war. By both malice, such as the Holodomor when the Soviets starved millions of Ukrainians to death, or by incompetence such as when lies and budgetary short cuts instigated the greatest civilian nuclear disaster in history with Chernobyl the Ukrainians have suffered at the hands of the Russian and they deserve their freedom.

But there is another reason the Ukrainians must win, and it is a reason that matters to every person on this blue-green planet.

In 1991, when Ukraine declared its independence which shattered the USSR it took with it a massive collection of nuclear weapons, the third largest armory of these in the world, along with the technological ability to design and create more. The world stood on the precipice of a rapidly expanding number of nuclear armed states.

1994 Ukraine surrendered its nuclear arsenal and committed itself to non-proliferation. As part of that commitment Ukraine received security assurances that most importantly the UK, the USA, and ironically Russian would provide assistance should Ukraine be subject to an act of aggression. They walked away from nuclear weapon on our promises.

If Russia topples the Ukrainian government or seizes large elements of its territory the lesson heard around the globe will be clear. Those without nuclear weapons can be subjugated by those with them. A lesson made crystal clear by Iraq and Tunisia and now if true for the second largest nation in Europe one that cannot but inspire a scramble for the only safeguard against the superpowers of the world, your own nuclear weapons. A world where Ukraine falls or loses great swaths of land may very well lead to world where more and more nations armed themselves with nuclear devices. And the world becomes a powder keg that endangers us all.

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My Favorite April Fool’s Joke of 2022

Mostly April Fool’s jokes are tired tedious and not for me. Howvere this year there was one that I throughly enjoyed.

WWII in real time is a Youtube channel that is following the events of the Second World War week by week. (They are currently in April of 1943.)

This was the special episode that aired on Friday April 1st. (I particularly like the David Hasselhoff deep cut.)

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The Past is Not Today

 

I can’t be counted as among the great fans of historical fiction. There are plenty of historical dramas, comedies, and even some fantasies, I’m looking at you Tim Powers, that I enjoy but it is not my primary genre of fiction.

However, if your historical fiction, be it fantastic or not, gets some very basic things wrong, so wrong that I am noticing, then you are in trouble.

It is important to remember that the people of the past, while still very much people, had utterly different world views than people today. The further into the past you set your fiction the further removed from modern thinking and speaking will be the characters actions. And that doesn’t get into the little trick of language that are more modern than you might expect.

‘Hello’ as a general greeting is a product of the telephone and as very nearly ‘ahoy.’ (Something C.L. Polk dropped into her Witchmark series without explanation that I just adored.)

‘Point of no return’ is a turn of phrase coined with the coming of the age of aircraft.

‘Hands of time’ is something you only say once clocks have become common.

And the ahistorical element that bugged me last night.

People conquered by Imperial Rome did NOT become citizens of Rome. That was a vastly tiny number of people they became subjects of the empire. Getting that wrong displays, a vast ignorance of Rome, its history, and its people.

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Streaming Review: Boris Karloff: The Man Behind the Monster

 

I recently ignited a spirited discussion on the questions was the original novel Frankenstein science-fiction or not. A number of people argues the process of using electricity to vivify the creature as a principal aspect of the science in this fiction. But that image, the grand storm, the massive bolts of lightning, the sparking machinery, all originate with the 1931 film Frankenstein and if any visual image leaps into your head of the creature, particularly if that image is hulking, brutish, and mute then the person leaping to your mind is Boris Karloff.

This week I watched a fantastic documentary on the life of Karloff, Boris Karloff: The Man Behind The Monster and while I knew some of the story there was a great deal about this extremely talented actor I never knew. For example, due to the racism of the times he hid and never discussed his ethnicity and what I had assumed was a ‘Hollywood tan’ George Hamilton was actually his South Asian (Indian) heritage.

Remember almost exclusively in popular culture as Frankenstein’s monster, a part he gave pathos and empathy to that lives on nearly a century later, Karloff’s best work came in other films. Personally I have not seen a finer performance by him than as the murderous cabman in The Body Snatcher, (1945) where he is not only frightening but also disarmingly charming. However, The documentary also gave me new films to seek out and watch with the amazingly versatile man such as Lured starring Lucile Ball searching for a killer in London, or The Black Room where Karloff plays noble brothers with one decidedly evil.

The film covers his life, its hard knocks, and that somehow this man remained giving, gracious, and inspiring throughout the turbulent turmoils. For fans of good documentaries, classic horror, and above all Karloff, this is a must see.

Boris Karloff: The Man Behind The Monster is currently streaming on Shudder.

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