Category Archives: Fantasy

Not Every Aspect of a Franchise Should be Mined

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In May, Variety reported that Warner Brothers Studios had announced a new The Lord of the Rings live-action feature to be released in 2026 The Lord of the Rings: The Hunt For Gollum.

To be produced by Peter Jackson and directed by Andy Serkis very little is known about the plot or details of the feature but there are reasonable guesses that can be made.

In the first book of the series The Fellowship of the Ring Gandalf tells Frodo that he and Aragorn had searched for the creature Gollum but that the enemy found him first. In both the film adaptation and the novel this is entirely an off-screen second bit of exposition, but it is a hunt for Gollum and likely the source of the new film. (Though I suppose it is possible that you might build an entire movie around the River folk hunting for Gollum the murderer.)

Making a story work around Gandalf and Aragorn’s search is a tall and tough task. We know they fail; we know they are unharmed and any new or side characters introduced will be treated with life expectancy of a Trek Red Shirt.

I can tell you one thing from Gandalf’s recounting of the hunt that will not make it into this feature, the evidence that Gollum ate babies will be excised.

This is an image, empty cribs left in Gollum’s wake, that haunts me from the novel and one of the reasons why Gollum never achieved any sympathy from me. The wanton murder of children strips any character of any slim hope of redemption. (Yes, I am looking at you Frankenstein’s monster. Life is tough and you were treated horribly but nothing excuses the murder of children.)

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How Many Legs Should a Dragon Have?

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In a recently and utterly low stakes online conversation the topic has been raised how many legs should a dragon have? This discussion has principally been initiated because G.R.R. Martin, author of the Game of Thrones novels, disputed the image used for the newest series which shows the beast with four legs and two wings.

Martin’s argument is based on evolution and that flying creatures evolved wings from their forelimbs leaving only the rear two to serve as legs. He’s right about that. On Earth all land animal life descended from a common ancestor which set the pentadactyl limb structure. Everything animal we know has the basic limb design, One Bone, Two Bones, Many Bones. IF dragons were evolved creatures from an ecology that mirrors Earth’s, then you would expect the same body form rules to apply.

In fact, the common ancestor is the reason why I have an issue with Cameron’s Avatar. Every land animal in that ecology has six limbs except for the big-eyed human analog. They are as out of place as a four-legged dragon.

But if they were evolved creatures they would not exist.

There is simply no way that a beast that large, that massive will evolve flight. Yes, there were some flying dinosaurs with absolutely enormous wingspans, but they remained light, fragile creatures not massive lizards with weights measures in tons. It is furthermore an impossibility for the ‘fire breathing’ to evolve as depicted. The energy consumption required to power such abilities is too staggering to contemplate.

With all that said, dragons exist in a setting where the laws of physics are upended by sorcery and magic. In a world where non-nuclear transmutation is possible, and the laws of thermodynamics are abandoned. In such a setting a genesis for a creature outside of biological evolution exits and along that path the arguments of two or four legs are reduced to the author’s preference.

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Chosen One Stories

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I have never been overly fond of ‘chosen one’ narratives. There is something in the core concept that some people are just ‘special’ and deserving of praise and riches because fate or the gods or something has selected them above all others that just rubs my skin wrong.

There is a vague memory lurking in my brain of some production of a Camelot myth that struck at just the right time to inspire a foundation element of my ethos and personality. Arthur proclaiming that Laws must bind high and low alike or they are not laws at all. To me this extends to narratives.

The chosen one myth is at its heart, to me, a perpetuation of the lie of nobility. That person is better than you by virtue of birth. You own that person you loyalty for no other reason that chance has deemed it so. Granted, in stories the heroes nearly always are virtuous and good people. Luke refuses to turn to the dark side even though it will cost him his life. Aragorn is a kind, just, and benevolent king. Harry Potter despite a childhood of horrid abuse is compassionate and only interested in what is right, immune to the seduction of sudden riches, fame, or sports induced glory. These characters are ‘good’ because the author has made them so, not for any other reason.

While I have never been a dedicated fan of the Dune novels, I deeply appreciate that in that series not only is the ‘chosen one’ the source of billions upon billions of deaths and the imposition of a tyrannical galactic theocratic dictatorship but that from the start the ‘chosen one’ myth is a lie fabricated to manipulate populations for the goals of an uncaring elite.

One reason I adore The Last Jedi is that the chosen one is flawed and scared and subject to human frailty, but most all because it ends with a nameless slave wielding the power that had been reserved to the ‘noble.’

I doubt I would ever write a ‘chosen one’ story but if I did you can be assured that it would be to subvert it.

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Movie Review: Furiosa

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I took a few extra days off around this holiday weekend and pretty much did nothing except go to a movie and make progress on the next novel. The movie of course was Furiosa: A Mad Max Saga the prequel to 2015’s Mad Max: Fury Road.

Warner Brothers Studios

Furiosa is the story of the character Furiosa introduced in Fury Road as she assists the escape of the warlord Immortan Joe’s wives from their sexual slavery from the Citadel. Fury Road drove into blockbuster status scoring on target hits with both audiences and critics.

As recounted in the earlier film the story of Furiosa is of her abduction from ‘The Green Place,’ an oasis of rich fertile lands with within the Wasteland and her eventual life in the Citadel as one of Joe’s Imperators, a trusted driver, warrior, and lieutenant. In Furiosa we discover that between her abduction and gaining the status of Imperator, Furiosa (Anya Taylor-Joy) was the captive of another, but lesser warlord Dr. Dementus (Chris Hemsworth) and the bulk of the film is comprised of her struggles to both survive and wreck vengeance upon Dementus.

Furiosa suffers from some of the trouble typical to a prequel. An audience member familiar with the following story knows that the character can’t die because there is another story to tell, and many elements exist to ‘explain’ why things are the way they are in that earlier released but later in the timeline tale. Why does Furiosa have only a single arm?

While the action in Furiosa is exciting and thrilling, with impressive stunt work performed by skilled professionals, the story is lesser to the one rendered in Fury Road. The major challenge in prequels is the character arc of the protagonist. The character’s nature is what drew in the audience originally and caused them to love the person so in the prequels there is the temptation to make the character as close as possible to the already adored version and that stunts any characters growth. They have nowhere to go because they start out in the final form by which we have already known them.

Furiosa in Fury Road is a woman who is risking everything to save other women, what we needed in the prequel is seeing her as a woman who doesn’t two fucks for anyone else and the transformation as she becomes a person willing to risk it all for others. This should have been the crux of the scene between her and Dementus when he intones she’s like him.

The other issue with this fil is that at the onset we are given her overriding goal, return to The Green Place but that is a goal she cannot achieve in the film because it’s the next story. So, the character and the audience can only be frustrated.

Furiosa was a lot of fun but ultimately it is not a movie that I will add to my collection as Fury Road is a better film on every measure.

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What?? A New Time Bandits?? No One Told Me

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Taika Waititi, the creative and executive behind some of cinema and televisions most entertaining shows, What We do in the Shadows, Reservation Dogs, Our Flag Means Death and movies likes Jojo Rabbit, The Hunt for the Wilder People, Next Goal Wins and more has yet another television series coming in July of this year, 2024.

Time Bandits the series, is an adaptation of Terry Gilliam’s fantasy film that I quote to this very day “Stay! Guard the Map.”

I have no idea if this is a continuation or a fresh approach to the material, but I do know that July 24th I will be there for this show’s 10 episode Season One.

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Masters of the Air Rekindled my Annoyance with The Eternals

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(Minor Spoilers follow)

In the final episode of Masters of the Air Major ‘Rosie’ Rosenthal (Nate Mann) after being rescued by the Soviet Army following the crash of his B-17 sees with his own eyes a death camp that the Nazis had operated. This naturally has a massive impact on the pilot, but the scene also reawakened an irritation I had with the superhero film The Eternals.

The conceit of The Eternals is that a small group of immortal being and the source of many myths and legends have live with humanity from before history shaping and guiding our development. One of these beings is Phastos (Brian Tyree Henry) whose particular gift to humanity is teaching us technology.

Phastos’ faith in humanity is shattered with our use of technology and this is exemplified in the movie by having him break down crying amid the rubble of Hiroshima.

Yes, the nuclear bombs kill hundreds of thousands. Yes, they were the very cutting edge of science and technology at the time. But millions were murdered by the Nazis in Europe, millions. Their murders did not end the war, their murders were the point of the war. Murder on such a scale is impossible with the technology of industrialization. The vast incomprehensible scale of it is only achievable with the industrial revolution.

One can argue the terrible ‘trolley problem’ of ending the war in the Pacific with nuclear weapons. Would it have been more moral to forego the atomic attacks and launch a ground invasion that would have almost certainly cost far more lives? That’s a debate that cannot be resolved because it is a personal value judgement, but the slaughter of the innocent in camps built only for death? That is undebatable. That is a clear and perverse corruption of technology and that is what should have shattered Phastos belief in humanity.

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Fragile Masculinity or Simply Incurious

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About 30 years ago I shared a 2-bedroom apartment with a fellow geek, gamer, and friend. I can’t recall what prompted this particular discussion that day but somehow we got close to the worn trope of body-swapping. You know, Freaky Friday, from the original Star Trek series Turnabout Intruder.

I asked my roommate if for a day it was possible to live life as a woman, in a woman’s body, would he do that. With the clear stipulation that there would be no need to engage in any sort of sexualized activity but be in that body for 24 hours.

His answer was not only ‘no’ but a very fast and very emphatic NO.

This has always puzzled me. My answer is the opposite. I would jump at the chance to see, to feel life from a perspective I can never truly experience and perhaps can only barely imagine.

Biology is not destiny, but it has a huge impact on our perceptions and on our concept of selves. We are not minds that exist separately from our physical forms but consciousnesses that arise from those physical forms. Our natures start at the biochemical level and build from there. Of course, a wholly different brain with its unique connections can never host an alien mind. That’s what makes body swapping the realm of fantasy and not science-fiction, but I have a hard time understanding not being so curious as to want to know what it is like, really like, for another.

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A Weekend of Classic Genre Cinema

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This weekend, while still losing the damned cough that start almost two months ago, was one for enjoying some classic, that is old, genre cinema.

Columbia Pictures

Saturday Night my sweetie-wife and I streamed The Golden Voyage of Sinbad (1973.) After coming into possession of a fragment of a legendary table Sinbad, (John Phillip Law) is thrust into a race for power and riches against an evil wizard (Tom Baker) while saving a bewitching slave girl Margiana (Caroline Munro.)

With stop-motion effects by the legendary Ray Harryhausen, The Golden Voyage of Sinbad is a prime example of pre-Star Wars genre cinema. Simple, direct, and doing the best that they cane with limited budgets and resources. Still, it is fun little film not meant to tax the old grey matter.

Sunday was this months Film Geeks San Diego screening of another Showa era film of the Godzilla franchise, Mothra vs Godzilla as part of their year celebration of the big lizard’s 70th anniversary.

Toho Studios

After a monstrous egg washes up following a typhon and quickly grabbed by greedy capitalists twin tiny ‘fairies’ arrive pleading for the egg’s return. They are rebuffed despite the efforts of a noble reporter, scientist, and photographer. Awaked from his slumber in the sand by the typhon, Godzilla, in his final Showa era turn as a villainous monster, rampages through the area and the ‘fairies’ convince Mothra to come and battle the radioactive beast.

Despite a decidedly clear turn towards children’s entertainment Mothra vs Godzilla still retains enough ‘serious’ matter to have value for adults watching as well as the kiddies in the audience. It’s message of mutual respect and the abhorrence of Pacific island nuclear testing grounds the film in the period of its production without actually dealing with the tense geo-political realities of the mid 1960’s. Watching this for the first time on a big screen, even if the theaters is a micro one seating only about 50 people, was a joy for nostalgia.

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The New Doctor: The Church on Ruby Road

Disney Studios/BBC

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Following the series of Doctor Who specials reuniting David Tennant edition of the timeless time lord and Catherin Tate’s Companion Donna, the newly bi-generated Doctor, Ncuti Gatwa, demonstrated his style and flair with the newest Christmas Special The Church on Ruby Road.

With Russel T. Davies return to the series the 4 specials debuting on Disney+, Disney really is trying to own all things ‘Geekdom,’ represent a return to form for the Doctor Who franchise.

With Doctor Who it is best to set aside any concerns about continuity and treat each special and episode as high fantasy rather than any variation of science-fiction.

The Doctor, drawn by a series of coincidences, encounters Ruby Sunday (Millie Gibson) a who with a deeply mysterious past, now plagued by goblins out to steal the foster baby left in her charge. Gatwa’s energy as The Doctor is fresh, spritely, and engaging. Gibson’s performance as Ruby is not plain or down-to-Earth but does have a color of real characterization that nicely counterbalances Gatwa’s manic energy.

Russel T. Davies writing remains fast but fairly straight-forward, eschewing the convoluted and nearly impossible to follow circuitous plots of the previous showrunner Chris Chibnall. At least with this Christmas special Davies has dispensed with world, galaxy, or universe saving plots in favor of a more relatable level of threat, monsters out to eat a baby. Doctor Who f the last few seasons has grown far too epic in its scope, proportions, and stakes and much like James Bond needed a radical correction.

It will be some time before we get the full season of the newest Doctor Who but for a change, I am actually looking forward to it.

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Series Review: Ultraviolet (1998)

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Several weeks ago, spurred by a discussion of the HBO series The Wire I decided that I wanted to rewatch and earlier television series with Idris Elba Ultraviolet.

Starring Jack Davenport, that many people will recognize as Norrington from the Pirates of the Caribbean franchise, the series follows Detective Inspector Mike Colefield (Davenport) who upon investigating the disappearance of his best friend that night before that friend’s wedding stumbles into the knowledge that vampires are real, and that a secret organization has been fighting them for centuries. Teamed up with a war veteran Vaughn Rice (Idris Elba), a physician Angela Marsh (Susannah Harker) and a former priest Pearse Harman (Philip Quast) Mike tries to uncover what really happened to his best friend, dodge the determined prying of the jilted fiancé, and help the organization discover what grad scheme the vampires have sudden launched.

My sweetie-wife originally exposed me to this series as she had the program on VHS tapes. Much of the vampire lore has been jettisoned. While the vampires are immortal, ageless, and possess fantastic strength and speed, they do not have the ability to enthrall, assume animal or gaseous forms but remain invisible to mirrors and all form of electronic imagery and recording.

While the series is far from perfect, the fiancé character is far too annoying and Mike’s attraction to her indicates to me that this marriage would have been in serious troubles without vampiric intervention, it is quite enjoyable and a nice take on ‘modern vampire hunting.’ These undead creates are not the romantic seducing lovers of modern fantasy but intelligent deadly predators. The entire story is told in six self-contained episodes. They can currently be streamed on Tubi for free. (You just have to endure the bloodsucking of adverts.)

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