Category Archives: Culture

Movie Review: Barbie (2023)

Warner Brothers Studios.

Great Gerwig’s 2023 film Barbie exits in a state of quantum superposition. Observed from one perspective it is a light, frothy summer movie, exploding in pink and pastels, full of fun, escapism, and the ahistorical innocence for childhood. From another perspective it is a slashing, scathing satire, scorching its targets with sharp, pointed commentary, ridiculing the inflated egos of the self-important and mocking the political patriarchy. And from yet another perspective is nearly a platonic example of everything wrong with modern cinema as a grubby I.P. driven cash-grab, weaponizing naive nostalgia as it concocts from a plotless, storiless, corporate property a feature film script joining the ranks of Battleship, Clue, and The Country Bears.

This is a very difficult film to discuss as its three natures are all worthy of intense study and interrogation.

First let’s review the film in a non-spoilers fashion, covering nothing that was not one of the several trailers.

Stereotypical Barbie (Margot Robbie) lives a perfect life of frolic and fun in her dreamhouse in Barbieland alongside all the variants of Barbie and Ken. Disturbed by intrusive morbid thoughts which disrupt her ability to live carefree Barbie journeys with Beach Ken (Ryan Gosling) to the ‘real world’ in search of answers. Their adventures and transgressions across the realities endanger Barbieland and Stereotypical Barbie returns to Barbieland hoping to repair the damage and restore its perfect existence.

The film is a masterpiece in the cinema arts. Production design and cinematography embraced the candy cotton nature of the script, abandoning all attempts at ‘reality’ within Barbieland and in doing so created a suspension of disbelief that allowed the film to achieve a verisimilitude that transcends all artificiality. The actor’s stylized performances, particularly while in Barbieland, create their superposition state being both unreal and emotionally truthful. Gerwing’s direction and Rodrigo Prieto’s camera work are flawless, capturing character, scene, and story in a seamless fashion that belies the difficulty of their objective.

Barbie has been called, liberal, leftwing, and ‘woke.’ This is so blindingly obvious and intentional that film might as well be wearing a beret, speaking in a French accent, with knuckles bloodied from street fights with Fascists for how proudly it wears it political and philosophical colors. Criticizing Barbie on such accounts is as ridiculous as disparaging the conservative nature of 1984’s, Red Dawn as it is the point of the project. It is a film with a message, one it does not shy away from, one it does not attempt to slip unnoticed into the plot, one that it fervently believes in.

Barbie is also a two-hour commercial for Mattel’s doll and its sundry accessories, an I.P. focused product intent on producing profit from already possessed property, joining the ranks of G.I. Joe, He-Man, and Pirates of the Caribbean. Its self-awareness and its cutting satire add value and depth to the film but do not erase the corporate goals it also incorporates.

It is easy to see how Barbie infuriates some, from its appropriation of cinema classics such as 2001: A Space Odyssey to its dismissal of the Snyder edit of Justice League the film stakes out positions and holds them with conviction. The movie that came to my mind as I watched Barbie was not its cinematic fraternal twin Oppenheimer, but 1998’s Star Trek: Insurrection and the relationship between the pair I will have to explore in spoiler containing post.

Barbie is several films coexisting together on that silvered screen, all of them expertly crafted and worth the time and money to see in a good theater,

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In The Arcade Of Life, You Get One Quarter

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A few years ago, an analogy became popular that cis white men were playing the video game of life on ‘easy’ mode and anyone else played at increasing levels of difficulty. A decent analogy but not the one I am going to deploy today.

Life is like a well-stocked arcade with lots and lots of game cabinets for us to enjoy but we have only the one quarter. Death has surrounded me my entire life and if there is one thing that has been beaten into me it is that death comes for us all and none knows when that final moment will be upon us.

Now, you might think that the message I am going for in this piece is ‘seize the day,’ ‘live life to the fullest,’ or ‘follow you dreams,’ all good message but not the one I intend today.

No, today I say:

STOP FUCKING WITH OTHER PEOPLE’S GAMES!

I do not know what it is like to live my life as Trans, gay, bi-sexual, poly, non-white, or any other of the near infinite varieties of human but I do know that like me, like everyone else, they get only one life. They are here only once and death stalks them with the same lack of remorse as it does me. I don’t care what it takes for them to live their single life fully and truthfully. As long as they are hurting no one else, it’s not my fucking business. And it’s no one else’s either!

I have no patience for those who think that their way of life is something to impose upon others. Life is hard and far too short. I have no interest in making it harder for anyone else, particularly for such petty reasons.

Every resource can be recycled, reclaimed, or replaced except time. So to those who aren’t going to listen to me anyone, stop fucking with their games and let them live their truthful lives.

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Pride 2023 Terrifies Me

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It is not what Pride celebrates that scares me, since the late 1970s I have found the legal and social discrimination against the gays and their brethren utterly evil and idiotic. I am old enough to remember the Anita Bryant kerfuffle and recognized even then just how wrong and hateful her campaign was no matter how many times they repeated the delusional incantation, ‘love the sinner hate the sin.’ No, Pride represents the beginning of the real fight for freedom and equality and for aspect of our nation is it as important as the 4th of July.

What terrifies me is the poisonous atmosphere of 2023 with its escalating number of mass shootings along with the rising tide of Family Values Fascism.

Mass shootings are a social contagion, with each instance acting like a chemical catalyst lowering the activation energy of the process, accelerating the reaction brings more shootings and more death. As reported by the BBC there have been more than 200 hundred mass shootings in 2023. The contagion is running unchecked.

The political environment is particularly dire. An entire political party in our two-party system is succumbing to an anti-democratic dogma that can best be described as neo-fascist. Abandoning the rule of law and democratic norms they have embraced hatred and scapegoating as tools to seize power. Still bitter over marriage equality, but recognizing that the tide had turned against them, they targeted another sexual minority for their hatred, lies, and venom, the transsexual community. Empowered by their reactionary fury they stoke fear, anger, and hatred in a base already inclined to violence.

These twin lethal cultural currents are what terrifies me about Pride 2023. It is my most sincere hope we can get to the 4th of July without any deadly violence at Pride events but there will be no shock or surprise if we do not.

Should Pride events be canceled during this terrifying time?

No.

The danger must be recognized and dealt with, but it must not be appeased. That only empowers it more. Pride must go on.

I am terrified but I am also hopeful. These are the dying spasms of an older ideology and generation, survive these and better days are ahead.

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Fast Thoughts

 

The GOP is a parade of corruption, anti-American ideology, and moral collapse.

There is no credible reason for voting for this political party save, grift, power, and bigotry. Everything else is rationalization, justification, and lies.

There are arguments to be made about the size, scope, and reach of government but that is not the question of the day.

The question of the day is do you stand with democracy or against it?

There is no third way.

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The Fragility of Reputation

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Imagine a woman in a monogamous relationship. She has recently discovered texts on her partner’s phone to a young, attractive woman, but the partner dismisses these are innocent conversations with a friend. He’s allowed to have friends, right? The she uncovers gifts to the woman in question, but they too are innocent he protests, it was her birthday and people give gifts to people on their birthday.  Her friends bring photos of her partner enjoying upscale dinners and theater and the man continues to insist all of this, none of which he had shared with his partner means anything at all. After all, she has never seen him screwing this other woman, so there’s no proof that he’s been misbehaving.

With everything that has been concealed and hidden she would utterly right in suspecting him. He has shredded his reputation with her without a private eye snapping photos of him in her bed. The reputation, the belief that he was worth of trust exists only in her mind and once that questioned it is very difficult to ever hold again.

This is precisely the situation with Justice Thomas. No one can prove that he exchanged a single vote for all the elaborate gifts and lifestyle he has enjoyed at the benefit of his conservative billionaire friend. But that proof is immaterial to shattering of trust.

The courts survive entirely on reputation. They have no armies, no police, no real enforcement capability. If you doubt that look up the Trail of Tears. They work because everyone accepts that they are fair and if that is questioned everything crumbles.

The court must clean house or our very nation will teeter even closer to a point of no return. No nation is guaranteed a tomorrow.

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Frighteningly Prophetic: Shock Treatment

20th Century Studios

 

Shock Treatment, made following the cult success of The Rocky Horror Picture Show, started its cinematic existence under two cursed stars, the folly of attempting to craft a film to be a cult hit, something that nearly aways fails, and the terrible timing of hitting production during a writers’ strike. A bomb at the box office and with the cult crowd, Shock Treatment is film discarded and nearly forgotten.

And yet these days it haunts my thoughts.

Budgets and strikes reduced the original vision until the film’s setting transformed symbolically in a single location, a television soundstage where all the action and the character’s lives are played out for the live audience. A bizarre collection of characters populates the story, a seemingly blind game show host, played by the recently late Barry Humphries, a brother/sister pair of actors (Richard O’Brien & Patricia Quin) portraying doctors on a hit medical show from which the viewers take real medical advice, and puppeteering all of it the media creation and fast-food spokesman, Farley Flavors (Cliff de Young in a dual role). Flavors manipulates opinion and emotions with his broadcasts finally presenting Janet (Jessica Harper) while drugged out of her senses as a model of mental health to sell the audience on committing themselves to his mental institution. Even Janet’s rejection fails to derail the plot, with Flavors discarding her as trash, the sudden reversal irrelevant to the masses under his spell.

I cannot but see the striking parallels between this 41-year-old film and today’s political environment. In 2019 I wrote another essay about this foresight and the 4 years that have passed has only strengthened the film prophetic nature. It is far too easy to see that the wildly cartoonish character of Farley Flavors is a dim shadow of the real-life threat that is Donald Trump. Impeachments and insurrections have no more damaged his ability to control his own cult than Janet’s rejects damaged Flavors. The film’s depiction of the nearly irresistible pull social conformity and the facade of community from the fake history of Americana of the 50s is eerily predictive of the entire MAGA movement, that could so easily and without any irony adopt the song ‘Thank God I’m a Man’ as their anthem.

I had never before considered Shock Treatment a horror film but it undoubtedly. lives in that space now.

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Let’s Get Back to Wolf Men

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Last week horror film Youtuber Ryan Hollinger released a video essay on 2010’s The Wolfman a remake of 1941’s The Wolf Man. The 2010 film was not particularly well received nor was it a hit at the box office and Hollinger put forth his own analysis of why the film performed so poorly. I

Universal Studios

watched the movie in the theaters on its release and found the adaptation tepid, dry, and wholly uninteresting and despite an amazing cast, Benicio del Toro, Emily Blunt, Anthony Hopkins, and Hugo Weaving, only Weaving managed to captivate and hold my attention. You can see my original review of the remake here.

While I think Hollinger makes a number of good points about why the remakes failed, I do believe that he missed a critical element.

Curt Siodmak’s script for the 1941 film is a lean, spare affair quite suitable for a modest production with a brief running time of a scant 70 minutes but that is not to say it is without subtext and subtlety. In 1941 turmoil engulfed the world. Depending on how you counted the Second World War had been raging for 2 to 4 years and

Universal Studios

fascism seemed to be conquering the globe. A refugee fleeing Nazi antisemitism Siodmak and his brother landed in Hollywood marked by their experiences something Curt injected into The Wolf Man. The script’s subtext is about how even ‘good’ people become monsters under the wrong influence. A clear for what Siodmak witnessed in Germany with the rise to power of the Nazis. Repeated several times in the film is the famous poem Siodmak penned;

 

Even a man who is pure in heart,
And says his prayers by night
May become a wolf when the wolfsbane blooms
And the autumn moon is bright.

We all have the beast within us, and it only takes the wrong circumstance to awaken it, to release it, to the ruin of all including ourselves. This elemental truth is missing from the 2010 remake. It is a tragedy that Lawrence Talbot became cursed the potential lies within everyone. Any person can be filled with hate and perform terrible acts upon their fellow humans. This is the central theme that seems very much missing from modern werewolf tales. It isn’t about the bite but the darkness we hold inside. It’s about how easy it is to hate.

Given the cultural and political storms sweeping the globe we are ready for a return to TheWolf Man and a reexamination of the hatred at the center of a poisoned heart.

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That Potential Harry Potter Series

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Deadline and other sources are reporting that Warner Brothers, a studio once known for its anti-fascist stances, is looking to move forward for a re-booting of the valuable Harry Potter IP as a series for its streaming service HBOMax. It is reported that WB CEO Zaslav has met with JKR in hopes of bringing this project to life and that JKR may even be producer on the series. JKR, in addition to the controversies surrounding her small-minded stance on trans issues, is notorious for demanding control over the property and would likely wield great influence over the series’ production.

It’s understandable that people became fans of the franchise either through the books or the films before JKR’s opinion became public poisoning, quite understandably, many against the author. With the proposed series all this is known ahead of time on this go around and raises ethical and moral concerns about financially supporting JKR as she continues with what many people feel are bigoted opinions.

I fully support those who protest and drag into the light the statements and attitudes of JKR, but I also think it would be wise and just to be prudent in who is targeted if this series continues to move forward.

For example, the young actors cast in the series I would not want to see hounded or harassed on social media. ‘We are not so smart when we are young,’ as one fictional character observed and it is already a very hard road to travel as a child actor there is little, very little, to be gained targeting them.

The writers of the ‘writers room’ are likely to be in the first stages of their careers, struggling with student debt, the high cost of living in LA, and the difficult task of landing any paying gig in Hollywood, refusing an assignment may not have been a viable option for them.

However, the show runner, as of yet unnamed, the person with creative control only checked by the studio and the dictatorial JKR is another matter. That person is likely to be an experience veteran of the business with the financial and career resources to walk away from the series. If they choose to get into bed with JKR, fully aware of the controversies she brings along, then they have made their decision and shouldn’t be surprised when it turns out to be far from popular.

I have read the books and seen the film adaptation and found them enjoyable but flawed. Others have done a fine job pointing out the antisemitic tropes and the ignorant racism in the text so I will not elaborate on that here just beware it is there. I have no need to purchase anything new from the franchise and I am quite happy leaving it behind, the proposed series holds no interest for me and hopefully not for you either.

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Bruce Lee, JFK jr., and Trump

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A common statement I hear repeated endlessly on political discussions is how the majority of GOP electeds, not the base mind you, are hoping for a Big Mac, or a Heart Attack, or a stroke to remove Trump from the political field by removing him from life. They suffer twin delusions with this fantasy.

The first is that somehow Trump vanishing from the scene would magically return the Republican Party to its state before that grotesque vainglorious buffoon descended that elevator. This ignores the fact that decades of stoking fear and hate created the condition that allowed Trump to seize the party from its establishment. It also ignores the basic truth of the universe, that time flows in one direction and the past is forever lost to us. The GOP today without Trump will carry forward Trump’s stamp. He has remade the party and while it can be remade again it will never be something from the past.

The second delusion is the idea that Trump’s sudden demise would be accepted as factual by his most fanatical supporters.

In July of 1973 actor, athlete, and producer Bruce Lee died. For many this was simply unbearable and rather than accept the simple fact that everyone dies and sometimes death is visited upon the healthy and fir conspiracy theories sprang up and continue to this day.

In July of 1999 JFK jr., son of the slain president, died when the airplane he was piloting suffered ‘controlled flight into terrain.’ The terrain being the Atlantic Ocean. One of the Q-Anon conspiracies is that he did not die, it was a hoax, and that he would return. The fact that so many very right people are holding out hope for a Democratic persona to returned gives evidence to the unhinged nature of conspiracy theories.

Trump’s death would instantly become a new and probably vast conspiracy theory. It may seem far-fetched and beyond reason to many of us but remember this is the population of people who accept that there is a secret cabal of Democrats feasting on infants in the basement of pizza parlors.

Between the lasting effect of Trump’s years at the head of the GOP and the fanatical followers who would not accept his death the party would find itself tethered to Trump ghost far tighter than they ever had been to Reagan’s.

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Terrible Days Lay Ahead

Terrible Days Lay Ahead

I have been voting since the 1980 elections and throughout that time there have been those that conflate ‘conservative’ with ‘fascist.’ To be fair it was with equal abandonment that ‘liberal’ was conflated with ‘communist.’ Both conflations were the product of the ‘us’ vs ‘them’ mentality that required political opponents be treated as enemies rather than people with different views, opinion, and premises. A natural consequence is that the weight of those terms evaporated. If everything conservatives, right or wrong, is fascist by sheer frequency of occurrence fascism becomes more commonplace and therefore less terrible.

Now, the fascists that always hid inside conservatism have taken the movement and its devices. This was not a bolt from the blue because of a single presidential candidate or election. This is the result of decades of tolerating hatred, bigotry, and cruelty because it yielded electoral benefits. Eradicating fascism from American political life will be long, arduous, path requiring an unending commitment to its defeat at every level.

Because this is a long war, dark days are coming.  The fascist war on people, currently the focus is on the Transgendered community, but should they win, they will move against their next target, is not a war about any sort of sane policy or principled stand. The fascists, as fascists have always done, are fixated on myth, lies, and a history that never existed. They have created a prior existence and view of the world that is no more real that Camelot’s Court or Wakandan Science.

From 1980 through 2003 I was a registered Republican, though I scarcely agreed with everything the party argued for. (IF you do agree 100% with a political party I seriously doubt that you are critically considering all aspects and are more of an ‘us’ vs ‘them’ mentality.) To me it was clear that the growing authoritarian movement within the GOP was ascendant when they embraced torture of prisoners. A political philosophy capable of torture is capable of any terrible atrocity. The intervening two decades has only strengthened my conviction on this matter.

The fascists are going to win some of the battle ahead. There will be setbacks for liberty and freedom. At times all will seem lost, but we must never stop fighting. Only by thoroughly crushing this poisonous ideology and idolatry can we move forward to a future where everyone can live their true authentic lives.

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