Category Archives: Culture

Patriarchal Horror

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One of my regular podcasts The Evolution of Horror where each season a particular cinematic sub-genre of horror is examined in chronological order to study its origins and changes over the decades. Some of the sub-genres that have been explored are ghosts, the occult, and slashers to name just three.

Last night as sleep drifted into my brain I thought about another possible sub-genre, Patriarchal Horror. What I envisioned was something closely related to but distinct from feminist horror. I would categorize feminist horror about the claiming of power and agency by female characters but that does not require an explicit depiction of patriarchy to exist. For example, Bob Clark’s Black Christmas, a key film in the development of the slasher sub-genre coming a few years before Carpenter’s Halloween exploded in the culture is specifically about a sorority house dealing with a stalker and murderer but the men and the wider world that they inhabit aren’t depicted as subjugating or dominating the women. It is feminist without dealing with patriarchy.

An example of what I would call patriarchal horror is the original The Stepford Wives. In the film the men of small town of Stepford substitute their wives with perfect robotic replacements, ones that never challenge, always know their place, and perform all their wifely duties without complaint. It is the platonic ideal of horror that draws entirely from the patriarchy.

Promising Young Woman is often slotted into the ‘rape revenge’ sub-genre and that’s not a terrible fit even if the principal character exacting her revenge isn’t herself the rape survivor. It also neatly fits into patriarchal horror because the film depicts quite intentional the culture and male dominated systems that create the environment where men escape any form of consequence for their horrible actions.

What got me started on this line of speculation was this year’s outstanding horror film Immaculate. Starring and produced by Sydney Sweeny Immaculate is very much about men exercising power and domination over women’s bodies. About how control over oneself is a fundamental freedom and right.

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Why the Joke Sticks

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The conservative side of the political divide is upset because the ‘JD Vance is Weird’ line sticks to their vice-presidential candidate like napalm to an innocent civilian.

The ‘weird’ descriptor gained a lot of traction when it was deployed by a Democratic governor and then amplified by a political group that governor headed. From there is has taken off with other surrogates and just plain people on Twitter. Vance’s people have yet to find an effective counter and I think it is unlikely that they will, but it is also unlikely to the dispositive in the election. It sticks because it fits like a key in a lock to many people’s perception of Vance.

One of the minor fake controversies surrounding Vance and that surface before he was picked for the number two slot was that he used eye liner make-up. I have no idea if the man utilizes that particular form of facial make-up, but his eyes are striking in a manner consistent with that use. It adds to his appearance feeling ‘off’ in a way that doesn’t quite rise to intuitively obvious but noticeable.

Vance also exhibits a lack of stage presence or charisma. This is not a new phenomenon. in the 2022 election cycle that elevated Vance to the Senate the Republican Governor in a red state beat his Democratic rival by 25 points but Vance in the same environment could only manage a 7-point victory over Democrat Tim Ryan. Even among Republicans affection for Vance is lukewarm.

These observations made Vance particularly vulnerable to the label ‘weird.’ Bill Clinton gave the impression of someone willing to tell you whatever you wanted to hear, to a smarminess that made the description ‘slick’ stick. During the Regan administration there was a skit where Regan showed his old friend Jimmy Stewart about the white house with Regan kindly but slightly befuddled. Once Stewart left Regan turned into a cold, brilliant calculating man commanding ever officer with sharp orders. That skit is forgotten because it found no cultural fire because that image of Regan, the brilliant mastermind, was at odds with the popular perception. Narratives stick with they line-up with preexisting perceptions.

After McCain selected Sarah Palin as his running mate in 2008 the Alaskan governor came under national scrutiny that she was ill-prepared for. When asked what sort of foreign policy experience she brought to the ticket she answered that as governor of a state that was close to Russia this gave her foreign affairs experience. Just as Rick never said, ‘Play it again, Sam’ in Casablanca Palin never said, ‘I Can see Russia from my house.’ That was a satirical performance on Saturday Night Live. But because that performance fitted perfectly with the impression because of Palin poor performance under intense press scrutiny that image of her stuck.

When a single Twitter user posted a joke tweet reporting that in his memoir Hillbilly ElegyVance confessed to having sex with a couch the visual raced to the top of the political environment. The joke about the couch stuck to Vance for a few reasons, firstly because he already had a poor charismatic image, his already well-known and extremist views on sexual matters lends itself to sexual perversions, and finally because anyone slapped with the label ‘hillbilly’ is suspect in American Culture.

JD Vance no matter the outcome of this election is going to remain stuck with the ‘weird’ couch screwing image until he managed to fully shatter it with a wholly new one but that is a monumental task.

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An Idiotic Theory

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I will grant you that Trump has a feral innate cunning when it comes to publicity. A nature endpoint for this celebrity obsessed culture.

However, the assassination attempt on Saturday was not some staged master-plan plot to sway the election. Ford had two assassination attempts and still failed at reelection. Such a thing does not generate sympathy for an already unpopular candidate.

And tell just how does this plot actually work?

There’s no way Trump stood there and let someone shoot withing inches of his head. Even Trump isn’t That stupid. So that would mean the shooter was just a decoy, a distraction.

Did they persuade the shooter to get up on that roof as an act of suicide?

Shots were fired and people were injured and killed. So that would have to have two or more shooters. Who are they? Where were they? Why take extra shots and kill people if the whole idea was to injure Trump and promote sympathy? You could do that with one shot.

How are the people remaining silent? The fatal flaw in nearly every ‘vast conspiracy’ is that it requires numerous people to maintain a perfect wall of silence. People just don’t do that.

No.

We have a young male shooter, acting in all likelihood irrationally, and whose exact motivation may never be known.

That’s it.

The world is often chaotic and unreasonable and this is just another example.

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Thoughts of the Attempted Assassination of Donald Trump

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Yesterday, July 13th, while delivering his usual lies, threats, and promises of vengeance Presidential candidate Trump was nearly assassinated by a gunman.

I have nothing but contempt and antipathy for Trump, the man who has more to damage our political system than anyone else. Should an artery in his diseased and putrid brain burst tonight causing him to assume room temperature I would not only not lose a moment’s sleep over it I would consider it a stroke of good fortune.

That said, and as I have said before, there is no room in our system of government for political violence. Full stop. What transpired yesterday is terrible for our nation, terrible for our culture, and terrible for our future. Here, in no particular order, are some thoughts on the matter.

1) When you normalize and excuse political violence you get more it and you will not be in control of it. Be it street level violence ‘punching nazis,’ mocking and inventing fantastical conspiracies following a brutal attack on political spouse, or an entire political party proclaiming violence insurrectionist as martyrs and hostages, the result is more violence and the degradation of our political life.

2) Grand conspiracies are fantasies no more real that the armies of Barad-dur. It is a deeply human thing to believe that order and reason move the world but love gunman are the rule and not the exception. Overly complex plots to employ ‘false flag’ are the stuff of bad thrillers not reality.

3) Early reports have a terrible error rate and rushing to judgment on them is an act of foolishness.

4) Today people are dead who were not dead Friday. Have some considerations for those killed and injured before you go

5) No one know how this will move the electorate or if it will at all. This election is so ahistorical we have no comparable past to judge it against by which we can make any reasonable assumptions for the future.

6) The elected officials and parties are revealing who they are. Some are coming out with sentiments of consolations and wishes for speedy recoveries while other are quick to deploy attacks and manipulated the event for their partisan advantage. Take note who is doing which.

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Narratives are Dangerous

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It has been proposed that what makes humans different from other animals is that we are rational and thinking beings. But we are not alone in that quality. Numerous animals, some not very closely related to us by the great sifting of evolution appear to rationally solve problems to achieve intended goals.

I think one of the very important ways that humans are unique is that we are narrative animals. We can’t be certain that other animals do not have stories that they pass to one another but the evidence for it is quite slim. It is what humans do, we endlessly craft stories to explain the world. At one time those stories imagined beings of cosmic powers and childish desires to explain the seasons, the weather, and why life at times is glorious and sometimes cruel.

The trouble is that we love stories so much that the inherent attraction they display draws us away from reality. Every con man is a storyteller, every politician is a storyteller, giving stories a far greater consequence than mere entertainment.

Seductive narratives blind us to reality. Once we have accepted a narrative as truth the actual truth becomes less important. Narratives from people we trust, the counter narratives our allies spin about our enemies, and the narrative we tell ourselves all bend and distort our ability to see what is actually there.

It is said that every villain is the hero of their own story and that is true, but it elides an important element, that the story they tell themselves where they are heroic is as fabricated as their heroism.

The NAZI’s vile, evil, and murderous campaign across Europe could not have existed without the false, defamatory and insidious story at the heart of antisemitism. The NAZIs could only see themselves as heroes in a story about an insidious global conspiracy. That is one reason why I despise stories that use deep and vast conspiracies as part of their world building. They are a powerful form of storytelling that makes a random, chaotic world comprehensible but always at the cost of some invented cabal that all too easily can been seen in the ‘real’ world. Neo-Nazis adopted a love for Carpenter’s They Livebecause they saw the vast conspiracy that Carpenter constructed as his satire on capitalism to actually be about their imagined global fight with their imagined foes. The trope of the vast hidden conspiracy used for aliens is all too easily repurposed for any outgroup.

This is the danger of narrative. Narratives can inspire killing. Everyone practices storytelling and every need to be aware of the power that they unwittingly possess.

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Gaiman, Hero Worship, and Human Frailty

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Numerous people throughout fandom are shaken to their cores as allegations are leveled at yet another beloved icon this time Neil Gaiman. I will not be going into the accusations as I have too little knowledge of what is precisely asserted to have an educated opinion.

Neil Gaiman has been a beloved writer in the genre spaces for some time. There have been numerous stories of his kindness and repeated examples of how he has brightened the darkness for other, often with wise comments on this mad industry and its often heavy psychological toll.

However, I am reminded of a bit from the MCU series Loki when the titular character comments that ‘No one good is truly good and no one bad is truly bad.’

We are all shades of gray. Darkness and light lives in every person’s heart. We all have an impulse to be compassionate and caring and we all have impulses to hurt and dominate.

It is now likely that Gaiman will join a terrible list of former artistic talents such Joss Whedon, Roman Polanski, or Kevin Spacey. What are we to learn from this?

I think Frank Herbert, a beloved writer in his own right may have already tried to teach us something about this with Paul Atriedes. Heroes are dangerous to your health.

There is a school of criticism where it is considered critical to separate the artists from the art. Buffy the Vampire Slayer remains an outstanding example of writing with an empowering message about feminine strength told through the lens of superheroes and monsters. Gaiman’s writing about love and the fantastic remain unchanged, the text of the stories and novels are precisely the same as they were last month before this knowledge came to light. Polanski’s adaptation of Macbeth or his cinematic genius directing in Chinatown still speaks truth the corrupting nature of power despite the man’s vile actions as a rapist.

I am not here to tell you to not read or consume any particular artists work because of their reprehensible personal nature. That is a decision each person must make for themselves. It is the personal moral quandary of the audience. What I can say is that the work does not change.

What we should strive to do always with the artistic products we adore because they speak to our very souls is to never forget that all artists are human. All humans are flawed and never construct fantasies of perfect for the flawed people of this planet.

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248 Birthdays

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It has been 248 years since the Continental Congress adopted the Declaration of Independence. That nation born nearly two and a half centuries ago has never been far from perfect. It labor under the Absolute Evil of slavery and that has cast a long and terrible shadow across time. On the other hand, the aspirational ideals presented in that document has not only given fire to the fight against slavery and tyranny here and abroad but has severed as beacon to be our better selves.

Over the centuries we have explanted the notion about who matters and whose voices can be heard in the public square. What was once unthinkable in terms of human liberty are now enjoyed but there are more to unchain.

Recently the Supreme Court of the United States (SCOTUS) enacted a new test to determine in something was constitutional or not, the ‘history and tradition’ test. If something did not have an analog in the nation’s history or its tradition, a very slippery concept to applied fairly without biases of the head or heart, then it was in conflict with the supreme law of the land.

This is not only an invitation for personal preference to direct outcomes it is directly and thematically in opposition to our founding. A founding that proclaims that the traditions of the past do not fence in our present or future liberties. That because we have always had a king who should therefore always have a king. This nation is a bold experiment in new thinking not traditional customs.

For citizen of the United States of America this year is vitally important year. This election transcends petty policies and speaks to the very nature of the American system.

We can elect a corrupt, venal, criminal of a man who has no wish beyond his own greedy vices and appetites, throwing away two and half centuries of democratic self-governance, or we can accept that policy is less important that principal and keep him and his ilk out.

Like Klaatu said at the end of The Day the Earth Stood Still “The choice is yours.”

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Juneteenth: A day to Remember Dreams and Nightmares

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June the 19th 1865 is the day the freedom loving Texans were, at the end of a rifle, forced to free the people that they had enslaved, the final state of the traitorous Confederacy to do so. It was not the end of slavery in the United States that would come officially later the same year, but it was a vital and important step along the long rocky road to freedom. A road we still stumble down.

This is a day of celebration as it was the date that the United States Army freed the enslaved peoples of Texas partially validate the great principals upon which this nation is founded. It is also the day to remember the horrific hundreds of years of nightmarish torment our nation visited up a subjugated population. Like an element in a state of quantum state that is simultaneously wave and particle America’s history is both pride and shame.

That the founders of this nation expressed all too human hypocrisy does not negate the amazing ideal that ‘all men are created equal’ nor does that bold septimate absolve them of their evils. The inspiring belief that freedom and equality are due to all people has unleashed a forced unlike any other on this planet and the failures to live up to those aspirations is a source of shame but also a motivation to do better.

Far too many people only want to think of history in one mode or another. That the centuries of slavery are an original and inescapable sin upon everything this nation has achieved, or that the evils of the past are dead and bear no relevance today. Both extremes are wrong headed.  It is the wave and particle duality again. It is both things and it is neither thing. It is the history that we must celebrate and the shame we must never forget.

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Guilty on Every Count

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Yesterday after just 11 hours of deliberation on 34 felony county a New York City Jury found former president Donald Trump guilty of every charge. Not one count did they find him acquitted nor did they hang on any of the charges. They looked at the evidence presented by document and testimony and found that there was no room for reasonable doubt as to his guilt.

Of course, conservative partisans rushed to prostrate themselves before their Orange God-King protesting the trail, the verdict, the jurors, and every political opponent that could muster to mind. It has been decades since the GOP or the conservative movement possessed any fragment of principle or integrity. Terrified at the potential political fallout they huddle together and mutter their threats and plans of vengeance. Deep in their souls they know that this is a trap entirely of their own making.

The GOP has several opportunities to avoid this fate. They could have refused Trump entry to the party’s debates in 2016. They could have mustered the conventions against him. They could have impeached him when he corruptly used the office against a friendly nation for his person political benefit. They could have impeached him when he attempted to overthrow a fair and free election. They could have stood with due process as the justice system brought him to task for his crimes.

They did none of these things.

From their own selfish wants for lower taxes, more liberty to pollute, the puritanical need to impose their sexual mores on everyone else, and the need to have utterly unrestricted access to any firearm of that their little hearts desire, they have sold their souls, and betrayed the core concept of this great nation: No Person is Above the Law.

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Artistic Responsibility

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Friday night I went out to the movies and watched the big screen adaptation of The Fall Guyand had a pretty good time with a summer popcorn movie.

Before the film there were of course 20 minutes of trailers, and one trailer really pissed me off.

Fly me to the Moon a romantic comedy set in the days before the moon landing between a PR hack (Scarlet Johannsson) and a flight Director (Channing Tatum) as the PR hack tries to boost public interest in the upcoming lunar landing.

I can ignore/forgive the historical inaccuracy about public interest. Leading up to the landing this nation went space happy and after the landings interest waned from the fickle public. However, in the trailer it is also shown that fear of a failed landing prompts the PR Hack to produce a faked landing on a sound stage. This is where my blood boiled.

I think it is grossly irresponsible of the production, which began in 2022, to depict the conspiracy theory that the moon landings were faked. Yes, I understand that this is a comedy, and should be viewed in that light but the world we live in is one riven with conspiracy theories. One should not inject into a culture already diseased with conspiracies about election and life-saving vaccines anything that supports, even as a jest, conspiratorial thinking. People are dying from the conspiracy that the COVID vaccines are dangerous this is not the time to buttress such thinking.

John Carpenter when he wrote and directed, They Live meant it as a satire of Reaganism and what he viewed as the culture of greed in encouraged. However, his simplistic world-building of a secret alien conspiracy controlling and directing the planet’s governments and culture were readily accepted and embraced by neo-Nazis who view the entire film as an allegory that buttressed their diseased antisemitism.

Director Greg Berlanti and screenwriter Rose Gilroy have failed to learn from this terrible lesson and stand to do damage to our nation and our world for the sake of a few cheap jokes.

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