Category Archives: Books

A Response to Jordan S Carroll’s Article Misunderstanding a Classic 60s SF Novel

 

On May 29th Jacobin.com published the ironically titled article To Understand Elon Musk, You Have to Understand This ’60s Sci-Fi Novel by Jordan S. Carroll in which the good professor misread or misrepresented the novel The Moon is a Harsh Mistress (1966) by Robert A. Heinlein as a guide to understanding Elon Musk.

I come here not to defend Heinlein’s novel, its philosophies, or its meaning but rather in protest the professor’s inaccuracies and omissions that create a strawman for his argument.

Here from the article is Carroll’s description of the novel core conflict.

It’s about a lunar colony that frees itself, via advanced and cleverly applied technology, from the resource-sucking parasitism of Earth and its welfare dependents.

 

The Moon Is a Harsh Mistress depicts a moon colony forced by the centralized Lunar Authority to ship food to Earth where it goes to feed starving people in places like India. The lunar citizens, or Loonies, revolt against the state monopoly and establish a society characterized by free markets and minimal government.

 

Absent from this recounting and the entire article is the quite essential element that in the novel the moon is a penal colony. It is a prison removed from courts, laws, and governance. Exile to the moon is a one-way life sentence and even the guards and the despotic warden are, due to physiological changes wrought by prolonged life in 1/6 gravity, unable to return to Earth. People born on the moon are not technically prisoners but have no rights save whatever is granted by the warden’s generosity and can never live upon the Earth. It is a despotic, authoritarian dictatorship without any form of oversight. By omitting this element of the narrative Carroll is free to portray the people, for they are not citizens anywhere, of the moon as greedy libertarians indifferent to their fellow man.

The novel takes solutionism to the extreme when Mannie enlists the help of a sentient supercomputer named Mike to lead the overthrow of Earth’s colonial government on Luna

 

Here Professor Carroll has reversed the cause and effect of the novel’s progression. Mannie is not a revolutionary who enlisted the secret sentient computer into the revolution but rather it was the curious computer, Mike, that sent the apolitical Mannie into the revolutionary meeting because he had no way to listen in on the meeting. It is only after Mannie is won over by the revolutionaries and reveals to the pair that recruited him that the lunar colony’s central computer is aware that they decide to utilize this unique resource. Mike leads nothing, he is a tool and in many ways a child treating the revolt as a game.

When it comes to the revolution itself Carroll is no more careful in his representation that he was in depicting the conditions on the moon.

Mannie the computer technician, designs their clandestine cell system like a “computer diagram” or “neural network,” mapping out how information will flow between revolutionists. They determine the best way of organizing a cadre not through democratic deliberation or practical experience but through cybernetic principles.

 

Either Professor Carrol is ignorant or has chosen to ignore the history of Clandestine Cell Structure that has been used in resistance and revolutionary movements decades before the novel’s publications. In his haste to prove that everything from the novel that has apparently influenced Musk is tied to modern tech bro culture is has ignored or misrepresented actual history.

And here is another distortion of the novel’s events.

Even when it comes time to establish a constitution for the Luna Free State, the conspirators use clever procedural tricks to do an end run around everyone in the congress who is not a member of their clique. Smart individuals always win out over mass democracy in Heinlein’s fiction — and that’s a good thing.

 

First off, they did not ‘do an end run around’ the congress they established the congress with their command cell member occupying all the key positions. They attempted to create the impression of a representative government while retaining full control and that’s what happened — for a while.

The Lunar Congress, unaware that they were supposed to be rubber stamps and nothing more, formed a new government and with a stroke undid all of the revolutionaries careful plotting. Because this was not a revolution that shot the most capable revolutionaries after the victory, as so many in history has done, an actual representative government replaced the despotic tyranny of the penal colony. Not quite what Professor Carroll told people in his article.

And that brings me to the final and most critical blindness in the article and in people who hail the novel as a tale of a successful libertarian revolution.

In the novel the revolution failed.

Yes, the penal colony was freed, and a representative government replaced a dictatorship, but that government very quickly transitioned away from anything approaching pure libertarianism into a more conventional form. The novel opens with the Mannie bemoaning the coming of new taxes, and then once the flashback to the revolution is over, it ends with him contemplating immigration to some less populated area. The Libertarians lost the government. The moon did not become an outpost of pure unfettered capitalism and unregulated markets. It became Earth. If Musk thinks the novel points to an unregulated future, he has misread it as badly as Carroll.

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Birthday Beg

Saturday is my birthday, and I will be spending it with friends playing the tabletop RPG Space Opera.

While others are quite charitable on Facebook using their birthdays to raise funds for causes this year, I am going to be self-centered and greedy and tell you what I want more than anything for my birthday.

Reviews

My novel, Vulcan’s Forge, has gathered a mere 11 reviews over two years and I desperately need more to appease the god algorithm.

If you have read the book, which can kind of be described as WandaVision meets Raised by Wolves (Humans raised by A.I.s obsessed with mid-twentieth century Americana) w a heavy dash of film noir, then please go to Amazon and leave a review. Even if you hated it, be honest, I am not asking nor wanting anyone to leave false flattering reviews, just reviews.

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Halfway There

After the brief suspension of daily writing while I looked after my sweetie-wife and then the week and a half it took to return to full speed clocking in around a thousand words per day at lunch, I have passed the halfway point of my current novel in progress.

This novel certainly has had a long meandering and strange journey. The central core concept, a telepath that planting ideas in your head but your inner monologue remains in your ‘voice’, so you are unaware that it is not your thought, dates to the late 1980s. Since then, the whole setting has been crafted, short stories, both of this idea and others in the same setting, have been written, and more than one novel has been written.

Yesterday the word count passed 53,000 words and with the momentum back I hope to have the first draft completed in about two months. Luckily for me my first drafts in terms of character, plot, and events, are fairly close to my final drafts. (An advantage to detailed outlining.) And subsequent drafts are principally about editing and proofing.

I will be thrilled to finish this novel and get it out the door. (Though sadden because one editor who had seen a novel of mine in the same setting and liked the character has now retired.) I am thrilled because I can’t wait to research and write my next novel a d dark noir sf set on Mars.

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Finally Getting Back my Rhythm

 

The last month has been quite hectic. Early in March my Sweetie-Wife underwent a total hip replacement for one of her hips and I took two weeks of paid family leave to look after my sweetie as she recovered.

She has recovered and the medical procedure went swimmingly, so all is good there.

Before the surgery I was writing north of 1000 words a day on my next Military SF adventure novel but braked to a complete stop as I transitioned to care giver for the recovery period.

When I did return to work, I found it difficult to regain my writing’s momentum. This is a fact of my writing process. A project that gets paused or halted becomes very difficult to restart. It is why I cannot write more than one project at a time. One with always end up the preferred one and the project ‘paused’ simply dies.

Last week I was averaging 800-900 words a day but yesterday I passed the 1000 words at lunch mark. The momentum is back and now I just have to keep the thing rolling.

It’s a particular challenge right now because a second surgery will be taking place and my mind has been racing on a new novel idea that has me very excited but requires a ton of research.

 

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Series Review: HALO

 

Adapted from the 2001 Xbox game HALO: COMBAT EVOLOVED Paramount + debuted yesterday the pilot episode of their Sci-Fi series HALO.

While I have played the game and its sequel I have never dived deeply into the lore or worldbuilding for HALO and as such my interpretation of the series is not a comparison but as a new viewer.

Set in the distant future of the mid 26th century, HALO is concerned with both a conflict between the Interstellar human government, breakaway rebel/insurrectionists colonies the war between the humans an alien coalition known as the Covenant. The story centers on a cybernetic warrior Spartan 117 ‘Master Chief,’ part of an elite unit of cybernetic fighters.

When the Covenant attack the separatist world of Madrigal, the Spartan intervene and discover in addition to a sole survivor of the massacre that the aliens were seeking some device on the colony. Factions with the human government splinter and contest each other for the best methods in dealing with both the Covenant and the Separatists with Master Chief, acting on an element of his reawakened humanity, finding a measure of independence from his programing.

HALO boasts impressive production design and special effects with many of the game elements both faithfully reproduced visually and credibly for today’s discerning audiences. The storyline is not a direct adaptation of the game’s plot and I believe I read somewhere that the show runners have no intent to adapt the already existing lore and story from the games.

The pilot episode seems to be unable to make up its mind what it wants in terms of tone. The action sequences are fairly well staged and fast paced but with the tangled political plotlines leaving the viewer without any clear faction to support the action is undercut. In the pilot it is unclear if any of the factions deserve the viewers sympathy or emotional investment.

Pablo Schreiber performed quite well as Master Chief but with and without his helmet. However, I found Natascha McElhone’s performance as Dr Halsey, creator of the Spartan Program, stiff and unconvincing. Several times we have her looking directly down the camera lens and I was at a loss to understand just what emotion or thought she was attempting to convey. This may be a directorial issue as I had no such troubles when she was in the American version of Solaris.

The episode’s dialog is best described as serviceable. While the exposition is not as heavy handed slapped into your face as JMS’s on Babylon 5 there were repeated instances where the characters spoke more for the audience benefit than from any inner need.

Overall, there is enough there to hold my interest and bring me back for another episode, but the series has failed to truly hook and me and leave me with anything more than a mile interest. Hopefully that will change with more and better episodes.

A gentle reminder that I have my own SF novel available from any bookseller. Vulcan’s Forge is about the final human colony, one that attempt to live by the social standard of 1950s America and the sole surviving outpost following Earth’s destruction. Jason Kessler doesn’t fit into the repressive 50s social constraints, and he desire for a more libertine lifestyle leads him into conspiracies and crime.

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Nightmare Alley (The Novel) — First Impressions

 

With del Toro’s recent release of Nightmare Alley, which is fantastic, and being a fan of the classic and also great 1947 production starring Tyrone Power, I thought it was time to read the source novel that both films adapted their screenplays from.

I am only a few chapters into William Lindsay Gresham’s novel Nightmare Alley, but I have already seen some fairly interesting and fundamental changes that both productions effected.

By far the most consequential change has been the age of Stanton Carlisle the story protagonist. Tyrone Power when he played the charming but doomed Stan was 33 and Bradley Cooper the star of del Toro’s production was 45 when filming started. However, in the novel, at least at the start of the story with Stan already a member of the 10-in-1 midways show, that character was a mere 21 years old. When Zeena seduces Stan because Pete’s alcoholism has rendered him impotent, it is Stan’s first sexual encounter. Stan’s naïveté in sexual matters and in life is already key elements in the novel’s construction.

That said it is clear that both adaptations paid serious respect to the novel, and I look forward to finishing the book.

 

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Foundation

 

Last Friday Apple TV+ premiered David S. Goyer’s adaptation of Isaac Asimov’s classic SF series of novel starting with Foundation.

Confession: I have never read the novels upon which this series is based. I have read a few novels and more short fiction from Asimov’s, but I always found his fiction too dry, the character to flat to be fully engaging. Asimov’s fiction tended towards Ideas and Puzzles with his characters there to push plot points forward to solve the puzzle or give voice to the idea. Only on Asimov story stands out in my memory with any sort of emotional weight and that is the short story Liar from the collection I, Robot. With his love of logic problems and flat characters to me it is not surprising that Asimov is best known for robot stories of artificial intelligences.

Foundation is the story of a collapse of a Galactic Empire ushering in a barbarous dark age of endless war and strife as civilization vanishes from the galaxy. One man, Hari Seldon, through the development of his science Psychohistory, which reduced human history and civilization to data and equations and can prediction with unerring accuracy the movement and actions of population but is utterly blind on the individual level, sees the coming fall and strives to shorten it by establishing The Foundation that will help rebuild civilization after the collapse.

The Series opens with a young brilliant mathematician, Gaal Dornick (Lou Llobell), who comes from a world of religious zealotry, arriving to work with Seldon (Jared Harris). She is perhaps the only other mathematician in the galaxy that is skilled and talented enough to fully understand the complex equations of Psychohistory. The emperor, a trio of clones of different ages, (played by Terrance Mann, Lee Pace, and Cassian Bilton is descending order of age) sees Seldon and his following as a threat to the stability of the Empire. Even as the social fabric unravels and the empire faces unprecedented threats its focus is on enemies and not the coming darkness.

Showrunner Goyer has stated that to tell the full story of Foundation and the thousands of years it will encompass he hopes to have the series run for eight seasons. Only time and audience numbers will tell if he can avoid the collapse of his how personal empire before the story is complete.

Foundation streams on Apple TV+.

My SF/Noir Vulcan’s Forge is available from Amazon and all booksellers. The novel is dark, cynical, and packed with movie references,

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Talking About My Novel

Talking About My Novel

 

Late March 2020, right as the pandemic strangled the world into a global shutdown, FlameTree Press published my debut science-fiction novel Vulcan’s Forge. It is not a Star trek tie-in novel, though as a fan of the series from the 70s onward I have enjoyed a few, nor is it about a champion racehorse or a communist plot to erupt volcanoes but rather a blend of SF and film noir about stellar colonization and a critique of idealized 50s America.

In the book, following the destruction of the Earth and the inner solar system by a rogue brown dwarf, humanity had colonized the local stars by way of automated slower-than-light ships that constructed the colonial infrastructure and then begat the first generation of colonists from stored eggs and sperm.

On the colony of Nocturnia, which has had no communication with any other successful colony and may be the only one that has survived, the third generation of colonists are just now taking their places in this new society modeled on mid-twentieth century urban Americana. Jason Kessler, the book’s protagonist, helps mold the culture by carefully curated mass media promoting the ideals and morals of this outpost of humanity. The problem for Jason is that he doesn’t fully believe in this family-oriented repressive suffocating society but wants a life free of the obligation to be nothing more than a ‘productive member of society’ and father of a nuclear family. When the seductive, sensuous, and mysterious Pamela Guest sweeps into his life offering him a way to have everything he’s every desired with the ever-present eye of the authorities every knowing he leaps at the possibility and suddenly find himself in tangled in a vast conspiracy that threatens his life and everything he thought was true.

Vulcan’s Forge is fairly well reviewed currently holding a 4.9 out of 5-star rating on Amazon and is currently available in Hardcover, paperback, and eBook from any bookseller.

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The Itch is Back

 

For me part of the writing process is ‘the itch’ I get as an idea grows from a vague concept to a near obsession returning to my thoughts again and again like guilt. As I wind down the process of my current work in progress and begin the search for publishers and agents, the horror film section of the writing process, I find quite faster than normal this time my mind is already mining the next novel.

The core idea was generated last year when it was one of a few I submitted to my then editor for consideration as a follow to my novel Vulcan’s Forge not a sequel just the next book by me. He wasn’t thrilled with the ending and frankly at the time the idea hadn’t become all-consuming for me either, so I set it aside to work on the manuscript now nearing completion.

In that time the behind-the-scenes processor apparently kept working on the concept, finding the genre it really belonged to, and supplying me with a character to drive that had conflicting wants and needs that cemented the story dark ending.

So, my little vacation from writing looks to be ending sooner than I expected and a new outline is about to be born.

 

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Reading Dune

 

In fits and starts I have completed a re-read of the classic Science fiction novel Dune by Frank Herbert. I had to work in fits and starts because a growing cataract situation in both eyes has limited my reading hours and much of those have been devoted to my current work in progress novel. I have read Dune before and wanted to revisit the material ahead of the release of the latest adaptation coming in October of this year.

Dune, set in a distant far-future, concerns the bitter and lethal rivalry between feuding noble houses, a treacherous emperor plotting against his own kin, a suppressed people on a harsh and unforgiven world, ecological transformation, and cartel powers all centered on a planet where deserts are the entirety of the surface area.

On one level the novel can be read as an adventure story as Paul Atreides having survived the destruction of his noble house plats, plans, and takes revenge on the forces that killed his father and exiled both he and his mother.

Another reading is as a warning about the power of charismatic leaders and religious fanaticism with Paul’s quest illustrating how even ‘just’ causes often lead to horror and injustice. The work can also be interpreted as treatise on the interconnectedness of life and the dependence everything shares with everything else in an ecology.

The theme one comes away with from Dune, adventured story, prophetic warning, or ecological explainer depends entirely on the read and what they brought with them to the process.

Published in the early 60s, Dune reflects much of its period and how prose fiction has changed in the intervening nearly sixty years.

By today’s writing styles Dune is a novel that engaged in a lot of head hopping. In the middle of a scene the point of view will shift from character to character revealing their inner unspoken thoughts. This is frowned upon current fiction where it is expected that each scene is recounted from a single character’s point of view. For modern readers Dune can appear to be frenetic, choppy, and uneven.

More out of step with current culture is Dune’s approach to homosexuality. The principal antagonist of the novel Baron Harkonnen is presented as a corpulent, greedy, vile person without any redeeming qualities and it is clear that his sexuality is meant to be a mark of his evil nature.

The novel also appears to support the concept of eugenics without expressing endorsement for the result. The Emperor’s elite troops and the Fremen of the planet Dune are both, in the eyes of the novel, superior to any other fighting force because of the harsh and unforgiving nature of their home-worlds, which is a simplistic and naïve understanding of what makes a superior fighting person or force. In addition the novel presents us with the Bene Gesserit a faction devoted to a secret plan to breed a superior human with psionic abilities that unifies the masculine and feminine natures of humanity. Even for the early 60s this is a very binary view of human gender with men reduced to ‘takers’ and women to ‘givers’ without acknowledging the subtleties and overlap even within a binary viewpoint.

Dune is very a product of its time and even given its period the basic premises were already considered quite conservative challenges that the filmmaker will have to overcome in craft a cinematic experience that will be acceptable to modern audiences.

Here’s a reminder that my own SF novel, Vulcan’s Forge is available from FlameTree Press and can be purchased wherever to by fine books.

 

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