Author Archives: Bob Evans

ALIENS: When the Director’s Cut is Inferior

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In 1986, seven years after the release of Alien, the sequel, often lauded as one of the best sequels of all time, Aliens released into theaters to critical and commercial success.

20th Century Films

In 1999 with the release of a boxed DVD set featuring the franchise’s films, a director’s cut of the movie was included, a version that many fans find superior to the theatrical release. I am not one of them.

According to director Cameron, on the audio commentary for one of the releases, the film was coming in long and as non-linear editing had not yet been widely adopted and the production was running out of time, performing numerous small edits here and there throughout the film to shorten it proved to be insufficient to the task. Producer, and then spouse to Cameron, Gale Anne Hurd noted that the entire reel containing all of the colony material prior to Ripley and the Marine’s arrival could get dropped without impacting the plot. A simple, fast fix that allowed the production to meet that rapidly approaching deadline. When given the chance to re-edit the film with digital editing tools for the box set, Cameron restored the reel and several other scenes that had been excised from the theatrical release.

In my opinion, the longer, less focused, run time damages what was a nearly perfect film in two major ways.

The first is in perspective. With the time spent on the colony meeting a few of the colonist, Newt prior to her horrific experiences, and such dilutes the powerful telling of Ripley’s story. This story is about Ellen Ripley, her post-traumatic stress dealing with the terrors she encountered and the guilt of her survivorship. She is the character the audience invests their emotional capital with, and it is her pain and suffering that makes us tense hoping and praying for a happy ending. To take 10 or 15 minutes away from Ripley for characters we scarcely know and are not at all emotionally invested in their stories. This dilutes the film’s power. Aside from Newt, how many colonists can you name from the director’s cut?

The second issue I will admit is more pedantic, but it is one that bothers more and more when I watch the film.

Each alien drone/warrior comes from a single impregnated victim, and it’s stated that the colony on LV-426, — and don’t get me started on the colony name — had a population of 158 person. 158, that’s  a small movie theater’s worth of people. I have never counted but it looks to me, particularly in the Director’s cut that there are a lot more than 158 aliens that attack the characters in the siege. A favorite sequence for many in the extended version is the automatic guns, set up to guard the tunnels leading into the base where our heroes have barricaded themselves. The guns firing automatically cut down waves of alien drones. Even after all that there remain scores that make the final assault and even still more in the nest to threaten Ripley and Newt’s escape.

Especially in the director’s cut there are simply far too many aliens something that chips and erodes away my ability to suspend disbelief for the movie.

Your opinion may be different and that’s part of the beauty of art, but to me the theatrical is the best version of Aliens.

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Absence of Religion or the Supernature Does Not Equal Nihilism.

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While as a child I was raised with moderate Southern Baptist beliefs and attended at least a smattering of Sunday School classes, the faith never really took hold. It is a truism to me that from the outside all religions look preposterous, but it is a very human thing to believe in them.

In my opinion, there is no soul, no spirit, nothing that existed that is ‘me’ prior to my birth, nor will there be anything lingering after the biochemical reactions that power my flesh cease. When I die, that is it; that is the end of all thought and all sensation. No lake of fire or endless clouds await me. This one brief passing moment in the nearly limitless expanse of time is all that will comprise my existence. For all of us, this is it; this brief, fleeting, flickering moment of consciousness is all we get.

Does that mean life is meaningless, without purpose or value? Fuck no! It means that the value life has, the purpose life has, is determined solely by each and every one of us for ourselves. We create meaning, and that is the center of a life that is our own.

It is because I hold these beliefs that I deeply despise the ‘social conservatives’ and their spiteful domineering of other people’s lives. You want to believe that sexual relations with people of the same gender is wrong? Fine, go ahead and refrain from it all you wish, but don’t tell others how to behave. Believe that life divides neatly into binary states of existence? Foolish, but that’s okay for you, but don’t tell others how to live.

We get this one tiny moment to live, and as long as it is not harming another, you should get to live your life in the manner that brings you joy in this painful, passing existence.

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Zoo Photos of the Week

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Yesterday, Sunday April 13th, my sweetie-wife and I as is more often than not, visited the San Diego Zoo and it was the second weekend with my replacement camera.

I have to say I think this camera, a used Nikon D750 in excellent condition, performs much better with its white balance under overcast conditions than my previous unit. I had gotten sued to leaving my older camera at home when it was overcast because I disliked how the photo came out but yesterday, I was quite pleased with the results. Here are two pics I took on Sunday’s excursion. Both are birds. One caught in flight, just barely within the frame, but I love how by sheer luck I got a nice capture of its wings and second of a another bird of the same species at the instant it’s taking off from a branch, wings pulled back high for the downstroke, body stretched with its leap into the air, but the bird hasn’t yet released its grip on said branch.

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My New Series Addiction: The Pitt

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The new medical drama The Pitt debuted on Max in January without much if any notice from myself. I have never been one for medical dramas or comedies on television and as such this one went unobserved.

A couple of weeks ago the series grew in my attention because a number of YouTube reactors who are actual doctors reacted to episodes, and I was impressed with how impressed they were in the medical accuracy depicted. I became intrigued enough to watch an episode and that hooked me.

MAX

The Pitt is set in the emergency department of a major University hospital in Pittsburgh, with the title referring to both the city and the derogatory nickname for the department. With a waiting room overflowing with patients, for some waiting hours and hours to be seen, the season is dedicated to a single 15-hour shift with each episode one hour of that workday. The series presents a bewildering but engaging cast of characters lead by Noah Wyle as Dr Robby, the seniormost attending physician in the department, a number of other attending physicians, several student doctors doing their residencies, nurses, social workers, and ‘boarders’ patients admitted to the hospital but still in the ED because beds have not yet opened up.

Each episode really just flies by with an amazingly well choreographed mix of emergency room medicine, patients emotional crises, and personal drama from the staff. We get to know each of the principal hospital doctors and nurses but without the flow ever seeming to stop or ignore the ongoing needs of the patients who are there for everything from burned hands to lethal overdoses.

Because I have watched the reaction videos from a few doctors I do have foreknowledge of some of the major events coming up in episodes I have yet to watch but I have no sense of having been ‘spoiled.’ The characters are so well-drawn, so engaging, that simply watching them do their thing, deal with medical and personal crises is entertaining enough without any need for ‘twists’ or surprised.

The Pitt streams exclusively on MAX.

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And the Book Starts

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So, I have actually begun placing words in a line starting my next, still untitled, horror novel. Once again, I do not have a full outline in place, have only the sketch of a 5-act structure and only some of the key characters but delaying was not an option.

One thing I have learned about myself as a writer is that there seems to be a bank of enthusiasm when a project first explodes in my little noggin. The idea generates a lot of ‘wow’ and energy as I really really like the prospect. This fuels the research and planning stages but as time passes that burst of energy drains away. The idea and scenes are thought on less and less until if the writing doesn’t actually start, is empties and I find I no longer have any passion for the project.

It dies.

This novel, dealing with cursed nitrate movie footage and set in the summer of 1984 in San Diego, needed to start or I was going to no have the drive to write it at all. So, this week, despite still not have a great opening, I wrote an opening. Maybe a better one will come along. That has happened before, where after the entire book is written I finally figure out how it should have started. The important thing is to get this moving, after about 10,000 words a project usually has enough momentum to find its way to the finish line.

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This Photograph Isn’t Black and White

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This picture, while commonly called black and white, is actually greyscale. The picture elements, pixels, as I do not shoot on physical film but with a digital camera, recreate the image with tones that go from black, an absence of signal, to white, a saturation of signal, but with the vast vast majority somewhere in the middle creating some level of grey. We call it a black & white picture for simplicity and ease of language, but the actual image presented is not binary, it is more complex than that. Our troubles begin when we take what is used for simplicity and speed of communication, black & white, and mistake that for actual reality. The same applies to so much of life.

To many, the founding of the United States is a binary event, either good or bad depending on the person’s perspective. Terrible things were brought into this world with the European settlement of these continents, diseases that killed millions and destroyed civilizations, kidnapping and enslavement of millions more. It is foolish to dismiss these events and actions as mere history, products of their time, and insignificant to today’s events. Today’s home is built on the foundation of what has been. It is also true that the founding of this nation brought forth fantastic new ideas. The very concept of true human liberty and equality expressed in those events reverberated around the globe, inspired countless struggles for freedom and set the conditions for those who followed to even conceive of righting the wrongs of history. The founding of the United States, like the photograph, is not a black & white thing, it is both good and bad, existing far beyond the straightjacket of binary thought.

Nature doesn’t exist in any binary. Everything out there is part of a spectrum of existence, gender, intelligence, consciousness, everything.

Reject the binary and see what is real.

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Movie Review: Night has a Thousand Eyes (1948)

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John Triton (Edward G. Robinson) a stage mentalist working with his fiancé and best friend instead of the manipulated performance begins having spontaneous and accurate psychic visions. After several come to pass precisely as he envisioned, Triton flees, leaving his fiancé and friend without an explanation, hoping his absence will avert her death that he foresaw.

Paramount PIctures

Isolating himself from humanity and surviving by making mail-order tricks, Triton desperately avoids contact with people, unwilling to foresee more tragedy. However, when circumstances bring him into the orbit of his former fiancé’s daughter (Gail Russell) and his visions again spell doom, Triton struggles to prevent the future that now seems predestined.

Night Has a Thousand Eyes is usually categorized as a film noir, but the paranormal aspects make this a difficult movie to place definitively into any single genre. Where noir is often propelled by human weaknesses such as lust or greed, Eyes finds its motivation in Triton’s deep desire to not be the herald of disaster. The seemingly doomed nature of his vision, presenting what appears to be a hard, unalterable future, gives this film a touch of horror. Triton is a tragic character and, like all really good tragic characters, he is very sympathetic. He never sought the power that came to define his life. He never understood it and wanted nothing more than to be rid of it. Fate commandeered his life leaving him as helpless as a leaf blown by a wind. Robinson gives a fine nuanced performance, and he is the heart of this film. had he been unable to exude the required pathos none of it would have worked.

When I began watching Night has a Thousand Eyes, even though it is not a terribly long movie, I expected to watch only a portion before going to bed, but instead it sucked me in, and I completed the movie in a single sitting. It is well worth the watch.

Night has a Thousand Eyes is currently streaming on the Criterion Channel.

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A Pleasant Weekend

This weekend presented very little that was outstanding but a lot that was quite nice.

Saturday in addition, to our routine early morning walk around the condo complex with my sweetie-wife and a neighbor, my sweetie-wife joined me in walking around the neighborhoods of Kensington and Normal Heights as I took photos to help inspire my next novel.

These neighborhoods were two that I have been familiar with since the early 80s and lived in for a few years in the 1990s. The point of the photos is to help with atmosphere as I write and jog memories from decades earlier about what has changed since the time of Reagan. I also discovered, with my sweetie-wife’s help, that the location I thought had been a fabric store throughout the 80s only became one in 1988 and in ’84, when my book will be set, it was a punk rock music venue.

In the evening, I ran my tabletop role-playing game of Space Opera. Sadly, a coughing spasm reduced the running time to just about 90 minutes. The ‘long covid’ I acquired is far less debilitating than what many people suffer, and I’m glad for that, but it is annoying as hell.

Sunday morning was a trip to the San Diego Zoo, another opportunity to break in my new camera. (It’s not brand new; it is a used DSLR, but at a great price and in great condition, replacing my former camera that began killing lenses.)

While the controls are a little different and a few shots came out a little underexposed, overall things went swimmingly.

Robert Mitchell Evans

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I am Quite Conflicted About the Death Penalty for Luigi Mangione

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Luigi Mangione, the man accused of murdering a health care executive, will face a federal death penalty if the DOJ and Pam Bondi get their way, and I admit that doesn’t sit right with me.

Now, it is not that I am ideologically opposed to capital punishment. That debate is far more complex than the space here would allow me to elaborate on but in closely defined cases I think it is warranted.

Nor is it that I think the troubles and evils of the for-profit health care system in any wayjustify that murder, Our  for-profit health care system trades lives for cash and that is fucking repulsive but Mangione’s actions, if guilty, saved not a single life. I understand the rage that propelled such action, but understanding and condoning are very different things.

I can see and even condone the use of the death penalty for calculated premeditated acts of murder for political purposes.

What I know for a fact is that this Department of Justice, this vacuous-headed Attorney General, and this administration has zero interest in fair, dispassionate, and unbiased justice. Luigi Mangione is facing the death penalty not from any sense of justice or cool logical conclusion but because this is the sort of crime that has deep personal meaning to the corrupt people of this administration. While conversely, they liberated the criminals that they see as allies and fellow travelers. The violent terrorists that attempted to overthrow a free election received pardons, allies under investigation find those investigations dropped.

This is the fascist heart of the Trump administration.

For my friends, everything; for my enemies, the law.

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First Episode Review: MOBLAND

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Sunday saw the release on Paramount+ of Mobland, billed as ‘from the criminal world of Guy Ritchie.’

Paramount+

Set in the milieu of the present-day London world of criminal gangs and families of organized crime, Mobland seems to focus on the rivalry between competing families The Harrigans, led by Conrad (Pierce Brosnan) his wife Maeve (Helen Mirren) an assortment of their adult children along with the family’s chief fixer, Harry (Tom Hardy) and The Stevensons, led by Ritchie (Geoff Bell).

After an unexplained night out together between Eddie Harrigan and Tommy Stevenson leads to crisis the tensions between the family ramps up when Tommy Stevenson goes missing the open warfare is place in the table by his concerned father.

Amid the growing conflict Conrad Harrigan learns of a treason in his inner circle creating pressure on his organization in addition what is coming from the Stevensons.

The initial episode introduces a bewildering number of characters in the cast, some of which may turn out to be less consistent in their appearances than others but still requiring a sharp focus while watching. Mobland like much of Guy Ritchie’s crime movies, is not something one can take in casually while on a mobile device or performing household chores. To follow the intricate plotting and large cast demand attention.

In my opinion it is worth that attention. These are deeply crafted characters being performed by a very talented cast. Of course, an opening episode directed by a major director may not show the entire show’s true quality but so far this is something to look forward to each week.

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