Roger and It Conquered The World

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May 9th, at the age of 98, Roger Corman, a man who arguably had the greatest impact on cinema, passed from this bitter mortal realm.

Corman specialized in low budget features, often of a lurid and exploitive nature. His career spanned from the 1950s into the 21st century. He wrote, produced, and directed independently financed feature and along the way ignited the careers of cinema titans like James Cameron, and Jack Nicholson. Bucking the conventions of the period Corman also gave women position of creative control though he was not also above using nudity and ex to sell a picture. (The sexual assault by a giant worm in Galaxy of Terror was at his insistence, over the protests of the director and writer.) Modern cinema and in particular genre cinema simply would not exist in the state it does without Roger Corman.

Sunday evening to honor this man’s achievement I rewatched It Conquered the World.

The film has a ludicrous monster. A creature from Venus that resembles a massive fat carrot and can create organic mind control stinger. Aided by a bittered scientist (Lee Van Cliff) whom the creature has deluded into thinking that this is humanity’s salvation and not its subjugation, the monstrosity seizes control of a small town and the local army base. (Hardly the world.) Pulled back from the grips of his delusion by the death of his wife at the creature claws and the persuasion of a fellow scientist (Peter Graves) he redeems himself in destroying the threat that be led to our planet.

It Conquered the World is fairly typical of a Corman production of the mid to late 50s. There are limited locations and spare sets displaying the absolutely minimal budget but there is also something more to be said than ‘evil monster.’ The film ends with a monologue about the need for humanity to strive and find its own way to paradise and peace. A speech that could have just as easily been part of Star Trek a decade later.

Corman cared about the world. I have read that he apricated the 100 million dollars plus that James Cameron spent making Titanic but was also repulsed by such a sum being used for entertainment when so much misery remained in the world. Keeping his budgets limited certainly made it easier to make money but there was also a moral component that he never lost.

98 is a good run for any human being and we shall never see his likes again.

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