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My sweetie-wife and I finished watching season 3 of FX’s Reservation Dogs a dramedy set on a Native American reservation in modern day rural Oklahoma as it follows s collection of teens, their less-than-legal antics, their interpersonal events, and the lives of the larger community around them. The series, a first with American television, with all the creatives coming from Native American backgrounds explores the lives of its characters while both simultaneous·ly honoring culture and religious belief and avoid the ‘noble savage’ stereotype. These characters feel real and continue to feel real even as they encounter spirits of their ancestors, vengeful mythical beings from their heritage, and possibly even extraterrestrial encounters. The mystical never comes off as either jammed in to make the story standout from wider American culture nor overly praised for being native but simply another part of the tapestry of the story’s world.

Our interest in the show when it premiered in 2021 came from the fact that Kiwi creative Taika Waititi served as the series executive producer, but the series has very little of Taika’s erratic chaotic energy and much more the product of its showrunner Sterlin Harjo, a creative whose career I shall watch closely.

There appears to be a little boomlet in Native media and it is one I welcome. In addition to Reservation Dogs there has been the excellent Predator prequel Prey set among the Comanche during the 18th century which also presented as a viewing option the ability to watch the film with an audio track entirely in the Comanche language. A sequel to Prey is already in the works,

 

 

 

The series Resident Alien about an extraterrestrial who mission to slaughter humanity is derailed by his interaction with the Earth’s population also utilizes Native Americans among it cast and world building avoiding simple tropes and cliche presenting its native characters as actual characters.

 

 

 

 

From north of the American border came Blood Quantum a Canadian zombie apocalypse movie with much of its cast and characters coming from First Nation peoples. (The Canadian equivalent to the phrase ‘native American.’)

It is quite a privilege to watch so much media that rejects the racist or adoring portrayals of native peoples in favor of more complex, emotionally interesting, and culturally engaging fare that is now finally becoming available.