Nightmare Alley (1947)

 

Before I get into my thoughts on this classic noir just a note that as this is the busy season for my day-job with loads of overtime my posting here will be sparser and erratic and after the new year.

Nightmare Alley, adapted from the novel of the same name by William Lindsay Gresham, is the relatively rare noir that boasts a cast of top studio leads, A-picture budgeting, and promotion, unlike most noirs that were either studio B-pictures, that is they played the second half of a double bills, or produced independently of the major studios. Tyrone Power, looking to expand his roles beyond dashing heroic types, plays Stan Carlisle, an amoral carnival worker willing to use and discard people in his quest for money and fame. From lowly beginnings in a second-rate travelling carnival, complete with an off-screen geek biting the heads of chickens, Stanton cons, charms, and connives his way to the top of the nightclub circuit as a ‘mentalist’ but like Icarus the higher he flies his danger grows.

Nightmare Alley is a dark and cynical film even for the genre of film noir. While there are ‘good’ characters in the story their effects are limited, and Stanton uses them as ruthlessly as anyone else he encounters. It is perhaps a fault of the film that a few early scenes telegraph the films ending a little too precisely or perhaps that is simply the danger of a writer watching the filmmakers palm the card because we know the tricks played on the rubes. Either way Nightmare Alley, with is impressive cast and excellent production values combined with a thematically compelling story about the cost of an ambition is a classic noir worth watching.

In December of 2021, next month as I write this, Guillermo del Torro, reportedly inspired by the novel and not the classic film, will release his adaptation for theatrical distribution starring Bradley Cooper as Stan Carlisle.

Nightmare Alley (1947) is currently streaming on the Criterion Channel.

My SF/Noir Vulcan’s Forge is available from Amazon and all booksellers. The novel is dark, cynical, and packed with movie references,

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