finds Jakob a difficult case and the young boy’s obsessive listening to the stonework of the ancient house intent to hear his mother’s voice from beyond grave layers a sense of insanity onto the boy’s silent condition. Finding herself increasingly attracted, in part due to Lilia’s prompting, to Klaus and with her attempts to help Jakob failing Verena becomes desperate to remain with the family in the isolated mansion. Eventually twists are revealed and the story lands in a far too easily predicted conclusion.
Despite starring an actor from a global sensation Voice from the Stone received only a limited release in 2017 and was primarily a Video on Demand product. Currently streaming on the horror specialty service Shudder, Voice from the Stone fails to create a sense of building dread and inevitability essential for slow burn atmospheric horror and instead plays as a family drama that only in the final acts makes any move towards the unsettling and horrific. Adapted from an Italian novel I suspect that the source material is very much an interior story driven mostly by the Verena’s thoughts and suppressed emotional reactions and while that can be translated to film it is a particularly difficult task that has foiled more talented filmmakers. About a third of the way into this movie brief running time of 87 minutes I voiced the opinion that this could very well turn about to be quite similar to Henry James’ The Turning of the Screw another horror story that relies heavily on the psychological life of its central character but instead this story does come to a definitive conclusion and not a unsettling ambiguity.
Voice from the Stone failed to fully engage me as a viewer and failed to deliver any revelation that surprised or shocked and instead proceeded in a plodding manner to an ultimately unsatisfying conclusion. It is not a film I can recommend.
