Today a friend and i went downtown to see the Norwegian film, Dead Snow. The image to the left really tells you most of what you need to know about this movie before going to see it. Its about Nazi Zombies, in winter, and in bad weather.
The core plot fo the film is simple. A group of college students — apparently all medical students — take a vacation into the Norwegian mountains for skiing and fun. Once there and cut off from help there as assault by the Third Reich’s finest, but in undead form.
So any connoisseur of zombie films will have this question pop to the top of their minds, What kind of Zombies are these?
First, these are fast zombies, capable of running down a sprinting person and chowing on their remains. Second, these are moderately intelligent zombies capable of using simple tools and weapons, but not the guns they have stashed about. However a knife wielding zombie is still a frightening thing to behold. Third these are not invulnerable zombies. A person does not have to inflect serious head trauma to down one of these zombies, machine guns to the torso would work just fine.
Now the question is what kind of movie is this? Sadly the answer is that this is a muddled film. The filmmakers swung back and froth from scenes of serious horror and revulsion to scenes of farce and camp. The result was a film without a definite tone and that caused the film to suffer. There are elements of this film that works quite nicely, both with horror and with comedy, but total package never gelled together. It was entertaining, but only as a one time sunday afternoon kind of thing.
The film also suffered from basic story construction problems. The writers and/or the directors did not understand how to use establishment. If you are going to use a shotgun in the second and third acts it has to appear in the first act, or be rationally explained in it sudden presence. This is a very common establishment problem, but the filmmakers also managed to reverse this problem. They established things in the first act that were never referenced or used again in the movie. If you tell me in the first thirty minutes of a story that one character can’t stand the sight of blood and another character is a claustrophobe then these should be important story points later one, not dropped to the way side like a forgotten package.
However, this was not the biggest flaw in the film. It is a spoiler so if you want to know, follow me through the jump. Otherwise just take it that this is a mildly entertaining, but flawed movie.
So you wanna know the big flaw?
Motivated Zombies.
Ever since Night Of The Living Dead zombies have been a force motivated by one thing, the hunger for living flesh. these zombies have a desire that is not tied to a relentless hunger for the living and as such they venture much more into ghost territory than into the modern zombie myths. It is a classic ghost story, such as in John Carpenter’s The Fog, that ghosts are walking this earth because items treasured to them are not where they should be. In The Fog it was the gold stolen from the lepers when they were murdered. Returning the gold was a critical element in righting the wrong and putting the avenging ghost to rest. A classic storyline as I said.
Here there is a box of treasure and gold that the Nazi Zombies must have or they will kill you until they get it back. It is a box of treasure that the Nazi stole from the Norwegians during the war. So in classic ghost story parlance we are righting the wrong by giving back to the Nazis the gold they stole and murdered to posses. hmmm I have problems with that. Beyond the motivated zombies, giving Nazi their blod treasure is not righting a wrong in my book nor will it ever be.
The whole treasure thing is left unexplained fully. It is possible Sara (that’s their spelling BTW) found it and started the whole episode, but we’ll never know.
I had read a post by AOS about the cell phone cliche some time ago and don’t think I had mentioned it to you. Ded Sno reminded me of it naturally, so here you go…
http://ace.mu.nu/archives/293075.php
Re: motive
What explains Sarah? That is a big loose end. So the motive is as muddled as the rest of the story.